Ultimate.

By Danny Eugene Allen

The Ultimate, is a revealing and time-relevant conundrum of the mid to late twentieth century with all the modes, mentalities and music of a coming time. From the sixties to the resident '11... An inspiration of life and legacy, of the many turn of events, trials and transitions in person, place people and times. A masterful eluding to its facets and eventual outcome.

• Language: English
• Publisher: Danny Eugene Allen
• Release date: Jan 8, 2012
• ISBN: 9781465840349

Danny Eugene Allen

27 year veteran Indy writer author Danny Eugene Allen brings to you 34 extraordinary ebooks across a wide-arena. Properly proposed and propagation. A holder of an Associate in Arts degree and attended 5 other institutions of college learning. His long private career has brought forth a large sample of driven, tasteful and general development that has a requiem to all readers. His present works taken on numerous directions. Powerful, excellent and astonishment proves worthy of much gteat engaging entertainment. Find out and uncover your favorites.

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The Ultimate

by

Danny Allen

Smashwords edition

Copyright Danny Allen 2012

This ebook is the property of the author, it may not be bought, sold, borrowed or shared. If you would like a copy, please go to www.smashwords.com or your Smashwords ebook affiliate and buy a downloadable copy.

Nonfiction-Literary

...It was '74, American-culture was becoming dulled by coming-end decisions of Vietnam, Communism, drugs, violence, and recession in which there was a socially, disturbed-'limbo'. As these all, were coming to a 'crescendo'. Wealth, government and society in the culture were awaiting a new-era. A 'closed-lip' era in black-urban cultural avail...the root-advancements were sowing-seeds as a pan-society being set-in a new-conservatism. And Democrats were seeing the end to liberal-causes and protests... They were now, freshly educated and an earnest-workforce and intellect. The powers that be were left-over from '50s and '60s, and had began to see their waning-years. John Wayne, Bing Crosby and Elvis would be dead by decade's end. In a worn-church, on a major-street, in an urban city; on the corner of a mid-town neighborhood... Along where worn-asphalt, broken-concrete sidewalks and 'left-over' trees from times gone-by resided in precious pressured old-age a ten year-old boy was sitting-in the last church-pew. ...His mother sat in the first. The preacher; as everyone would accept, and these worshippers would yell-for, as he pounded the altar. Almost 'screaming', scaring him as though imposing the 'Will of God' on all who-attended. The mental-devotion and discipline, people-of Faith, had no problem-delegating. ...And the fear, distortion and deference the boy wanted nothing to do with. His mother was a mosaic-Christian in her youth... Now outside in the summer of the City he found refuge from the times and ignorantly by the sanctity of civil ploy...

As Nixon, world-events and the music was changing from white 'Pop' to black-'R and B', and Blues, and the famous and growing Pop folk-singers met their imminent and strange-demise...school, childhood and being lower-class were natural-occurrences and occupations. ...He was feed a 'Whopper'-hamburger as a six year-old by his then separated-father and after that he grew fatter and stayed-'hungry'. Food-stamps and welfare were his only source of family income. As the 'vibes' of once '60s were growing less-developed and more-devolved. The rise of unrest became a final-demise of once popular social-provocative and of once importance. Being disadvantaged, you didn't know where your next-meal was to come-from. 'Innocence', was soon lost by personal economic-device. As the 'Eagles', 'Jackson-Five', 'Moody-Blues' and 'Chicago' started their new-era as a 'Rock n Roll'-drive to the coming-era. No more '60s dance-tunes. And as well no more active '60s TV-series, and '50s TV-renaissance. And in with the early '70s, resolving-rescission.

God and Jesus, were now being asserted in their-lives. Poverty, population and social upheavals were just a part of life. Jesus, the Savior, was being transpired. The great things He did, the ultimate-sacrifice, and covenant between God and all mankind. The Bible’s coefficient to the dissertation of promise and plight of a greater-promise and hope... The 35-years of a personal-passion and devoting followed by millennium over millennium. The religious-discharge of 'evil' and the teachings against evilness of the heart. The thousands of preachers, teachers, priest, fathers, Bishops, Archbishops, Popes and ministers... The old eras/the new eras... The generations, countries, regions, areas and cities the sagas and determinations; struggles, empowerments and enterprises...

The philosophies, mandates, and epitaphs compilations all to express the meaning of Christ. And thus, the deeding and dedications to derive-sanctity. His rule, reality and ratifications in the energies-of essence. And finally, the rules of individual life, carried on by an impoverished mother and her son. A preacher's daughter entrusting-in heart and habits to follow God and hope; and hold to the 'Will' of God and promise of Christ. A boy, denied self-resolve but sat fidgeting un-for sure and fostered-in what was the 'dead' which he believed that no one could be sure. This, set-on his mind for the rest of his-life. An innocent, economically and socially deprived-child with five-siblings and separated-parents whose future looked 'bleak'. That evening going-home to a less than robust meal, the worn 5-room house in the quickly, degrading-neighborhood. The times of violence, despair and depravity in the actual of the TV-series: 'Good-times'; the growing-disparage by mode-of-living.

He-remembered the incredible courage and his own singled-drive to derive a rightful living, in a lifestyle-of-lament. The definitive-discourse's innate-enamoring. Of the growing black-ingénue, and empowerment of coming renewal for all. ‘Shaft’ by Isaac Hayes played-on in the rhythm and blues of pride, devotion and soul. Those-days, things were tempered by moderation. ‘Let’s Do It again’, was about to hit the movies and radio. ‘Super-fly’, the great-standard of both plight and position, was going to both be exploited and exposed-in what was becoming an urban-situation. As white-aversion, by station, standard and status was being emoted into the 'reality' of social-reactivity... Although, not the demographic-'reality', the coming-youth and young-adult, as well as the imposed design of aging black-individual social-disparage.

...‘All in the family’, the dote of early 70s re-allocated humor-reverberation was growing-popular as those who were against-it; the strictly, average-American becoming less affective. The pride-of both individual and class was by 'hook and crook'; became more confident. ...Women, the second-class was as, in many times, seeing the women’s movement. 'Free-love' became free-sex until the era made for the greater-empowerment rather than 'sex-object'. With the coming women’s workforce, single-motherhood, and the superstition of Chauvinism which only faded with time, trial and treatise... His mother would one-day, both, see her two daughters both in singly motherhood and employment. And he’d see the multiple subversive of culture, class and competence...

Human, hope from the 60s, 70s, 80s, 90s and 00s were in his life-time. From social-transition to Terrorism, things were evolved, divulged; manifested, faded and forgotten. The framework-of-fortune, future and fortuity... From the Vietnam-war to 70s re-inhibition on trials by political, governmental, social, and economical ploys sowed, grew, blossomed and developed in those-decades. A dimensionally, fabric in a devotion in God, American-culture, survival; sacrifice and fulfillment was occur. What was learned, became the social-'logic', to exist... One time of innocence and desist, to resist and resort; and over the decades war, workings and resolving. The differing mentalities and modes adopting and annotating the human-purpose to survive and overcome. The many re-alliances and reorients better or lesser changing society and healing imminent plight. A sober, civil and sophisticate salvation in all walks of life. The profound, fundament and functional choices, and challenges suited indefinitely as a catalyst of counter-culture.

The story of salvo and sustenance of many lamina of liberation, of the plans of propriety and voice of truing-vision. In obviate, objectivity in the resolution of proper-culture and the infliction of invocation to plot new principles... The turmoil and lament of people quailed and brought into resolving question of fears, fragility and fragrant in the position of devotees. Of the restraints of office, official and policymakers. Of popular-political, and professional-professed and pontificating. Of one of youth and manifest, the doting, developed, devised and devoted-duties of nature-born, belief and borne-to in the image, symbolic and surmised, integrity heeding the call for 'greatness'. A multiple of grace divided by humanness, heart and hope saving life and flourish, as relinquish and die.

An sanctimonious-dedication explaining in demise, is obligating-in conference. An applicative-intervening, innovation given in presence and proctor. Rules and understanding kept charged and chosen; applied in vocal, vitality, and pretense to living-recourse. Disco, would take over from the funky-blues, rhythm and blues of past-presence and the great multicolor-relevance of both money and multitude. The comprehensive-joys of heroic-genius of Bob Dylan, Sam Cook and Marvin Gay as the many developed ratification of producers and song-writers of all kinds and freedoms. Of life-stories, histories and places of the celebrations of life-imparted and the exquisite-excellence of skill and wisdom, which would be accepted and adopted by the masses.

And the, as great, yet grave-experiences only resolved by exposed-plight and the many meanings and mandates to exact and expound to make the world-better. The boy grew seeing hand-times and eventually, good, memories the plots and ploys from 'Stop the Love' he'd felt about his cherishing-mother. Or Def Leppard, about his mixed-race father going onto 'Dirty-Diana' about his older mean-sister. He had a pet-mouse he called 'Ben', 'Our house' about his ill-normal black-neighborhood. 'Bad Apple' about his sister's relationship with boys... His older-sister's leaving her boyfriend; 'Set Your Self-Free'...