Seeing in the Dark

By K. Sillen

Kim Sillen Gledhill was a healthy 24-year-old painting student when she worked for the band R.E.M. Her life changed suddenly on a hot Georgia day while she was running through the woods with their manager’s dogs. From out of nowhere, she heard a voice tell her that she would develop multiple sclerosis.

This was the latest in a series of premonitions that started when she was three years old. While the rational side of her brain tried to dismiss these things and distance herself as far as possible from anything that reminded her of feathered dream-catcher wall hangings or the Psychic Friends Network, she knew that this warning was real. So real, in fact, that she did what seemed crazy for a healthy, young painter in the grunge-filled 90s: she bought a health insurance policy. Nine months later, she was diagnosed with MS.

Seeing in the Dark is a story of learning through dreams and premonitions that consciousness is not isolated to the confines of one’s own mind. It makes a case for a nonlinear structure of time that can't be easily dismissed, while presenting a clear connection between body and soul.

This is the story of accepting the unacceptable in a world that defaults to linear thinking; of finding the rational in the irrational; and of embracing a gift while overcoming the seemingly insurmountable obstacles of a chronic illness. It might make you rethink everything.

• Language: English
• Publisher: K. Sillen
• Release date: Dec 28, 2011
• ISBN: 9781465724823

K. Sillen

Kim Sillen is an artist and graphic designer who lives in New York City.

Book preview

What Others Say about Seeing in the Dark

Kim Gledhill has a story that you’d have to call insane. Until you find out how sane it, and she, are. Smart, funny, lyrical, this is a book that keeps calling your name long after you’re done reading it.

—David Henry Sterry, best-selling author of Chicken

"Seeing in the Dark is a vivid account of what the human mind is capable of, and how we can acquire information beyond the reach of the physical senses. Kim Gledhill’s amazing personal story will inspire others to go public with their own similar experiences. The eventual result will be a picture of consciousness that is more majestic and wondrous than we have recently taken ourselves to be. What greater contribution can an author possibly make?"

—Larry Dossey, MD, best-selling author of The Power of Premonitions

Seeing in the Dark

Kim Sillen Gledhill

Smashwords edition

Copyright 2011 Kim Sillen Gledhill

All art in this book is by Kim Sillen Gledhill,

Copyright Kim Sillen Gledhill

Smashwords Edition, License Notes

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.

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Seeing in the Dark

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Introduction

Joan of Arc should not look so beautiful, I thought as a seven-year-old, while looking at a painting of her at the Met. People who heard voices in the woods would look more like crazy misfits with frazzled hair and rumpled clothes, wouldn’t they? I was drawn to Joan because I’d been having my own premonitions since the age of three, but those experiences never fit in with my everyday world as the owner of a Snoopy with a sparkly orange Elton John costume or as the diligent student who never forgot to do her homework.

There was a disconnect for me between taking part in the material world as a reliable, over-achieving child and having a spiritual life that might have been seen as...well, nuts. I was an obedient kid and it felt like the most immense act of bucking the system to embrace the idea of saying, Hey, World! Everything you’re trying to teach me about reality is wrong! It was more comfortable to doubt myself, to be the first one to call out the craziness of my dream-world before anyone else could do it.

I didn’t know how to make the two worlds of my dreams and my daily life coexist, and I had no role model. Except for Joan. Maybe. She didn’t fit into the tidy realm of fractions and photosynthesis and Brownie troops, either, but she looked well equipped to bridge the gap.

I paid her visits at the Met on occasion throughout my childhood. In the painting, she was earthy and warm and seemed completely trustworthy to me, not like some flighty, religious zealot who believed she was a messenger of God. As I reached my teens, having had my own inexplicable visions of needles, cantors and houses I’d never seen, she struck me as looking like the kind of modern college girl I had admired from afar. I could picture her nonchalantly throwing on a pair of beat-up Levi’s and a worn T-shirt and unknowingly being the coolest girl in town. Somehow she looked able to manage the regular existence I was after, even with all her angel-baggage.

I realized that Bastien-Lepage, the painter whose name I could never remember, knew nothing of all this when he painted Joan. But he had to know how magically he had crafted her, how she looked humble and gorgeous and strong all at once. He had breathed life into her and created an athletic girl who could paddle her own canoe with those thick, sturdy wrists; a girl whose merit you couldn’t question. I wanted to be someone beyond question, too—even though I already was viewed that way. But I always had the mild fear that if I spoke a wrong word, if I talked too much about my dreams, I’d somehow send my credibility crashing to bits on the National Honor Society’s meeting room floor.

Compared to Joan’s, my premonitions were often completely inconsequential, or at least I thought they were. Most of them came to me through dreams, and the ones that stuck out were oddly mundane, like the dream about an old-fashioned eggbeater with a robin’s-egg blue wooden handle. I woke up thinking, Why?

The next day, my parents spontaneously decided to drive to Bucks County, Pennsylvania to go antiquing with me in tow. (I hadn’t told them about my dream.) Later that afternoon, I found myself in a dusty flea market lot, in front of a long table piled with antique home goods. Amidst the andirons, stray chandelier crystals and marble rolling pins was the robin’s-egg blue eggbeater. I picked it up and cranked the handle, watching its rusty gears and whisks spin around.

When I looked up, there was a boy my age—about fourteen—on the opposite side of the table, staring at the eggbeater as I held it. We were dressed in exactly the same thing: a plain black t-shirt, khaki cut-off shorts, and black Jack Purcell sneakers. His image is engraved in my memory like a human exclamation point marking the experience.

Other times I would dream of running into people in places far from the context in which I knew them, and the meetings would invariably happen. There was the dream about seeing a guy from school at a Maryland rest stop on I-95, and he was actually there the next day as I walked in. There was another dream about my friends in a distant state making lemon tarts. They were shocked when I mentioned it in a postcard addressed to all six of them; they had just baked lemon tarts together. I was puzzled by the triviality of many of my dreams, and conversely amazed by the heavy significance of others, like the ones where deceased friends of my parents gave me information that turned out to be spot-on. (For instance, Your car is about to be broken into right now! WAKE UP!) I could not explain how it happened, but the mode of receiving knowledge through dreams was nevertheless very real to me.

I felt somehow protective of Joan of Arc while viewing the painted image of her standing in the wooded yard of a cottage with angels hovering behind her. Look how spaced-out she is! viewers around me would comment. Don’t judge her for this, I wanted to say to anyone who was looking.

In the painting, Joan’s left arm is stretched outward, fingers interlaced with the leaves of a nearby tree, and her gaze is fixed upwards in an otherworldly stare. What always affected me the most about this painting was the empathy and love that the painter embedded into Joan’s image. I remember feeling struck by the kindness that came right through the paint as a child. Even then, it was specifically this lack of mockery—the absence of any nudge and wink—that also unsettled me. There were no metaphorical quotation marks around her image; Bastien-Lepage painted her vision as though it actually happened.

I had learned about Joan of Arc in one of the young-reader biographies about women that my mother had lined up for me when I was in the second grade, so she occupied an adjacent spot in my mind next to Eleanor Roosevelt, Amelia Earhart, Helen Keller, and Harriet Tubman. But I could never tell if she really belonged there. All of their facts were verified, but I had my doubts about whether her backstory could be proven, too. As I grew older, the questioning feeling I had while looking at the painting started to trouble me, and it stayed with me even during the long gaps between visits to the Met.

In my quest to live by the completely rational rules I believed highly-functioning adults had to embrace, I had even dismissed the possibility of ghosts, despite the fact that I had seen two of them with my own eyes at age twelve. If science couldn’t explain it, I sublimated it. Disavowed it. There was no Tooth Fairy or Easter Bunny, and I wasn’t about to put my money on a God who told a teenage French girl to free Orléans from the British.

So why was there no trace of patronizing this girl for her kooky hallucinations in the painting? How could the painter so convincingly portray her as sturdy and reliable if he didn’t actually believe in her mythology? He couldn’t seriously believe all that religious stuff, I figured. Adults just didn’t do that, did they? But the paint seemed to say otherwise.

Without consciously analyzing it, I interpreted the painting as heartfelt sincerity despite a foundation of disbelief. As years went by I began to feel embarrassed by this elaborate lie of compassion, and by the time I was college-age, I suspected that maybe this contradiction was a part of being human. Maybe it was a clue to finding the key to the universe that adults never told you about, that you’d spend your life being adoringly humored by others who actually doubt you but never want you to know it because they love you. Despite my own premonitions, even I found it impossible to consider any longer that maybe Joan’s story was true. Yet the painting made me desperately want to believe it.

I don’t remember having any knowledge as a child of Joan being burned at the stake; I just recall a vague sense that things ended badly. Maybe I conveniently forgot the death-by-fire part.

Up until my early twenties, the uncomfortable distance between wanting to believe someone out of kindness and actually knowing something else to be true stayed with me. I guess I always realized subconsciously that this might apply to how people related to me. And in a convoluted way, I suspected that it might approximate the way I questioned myself.

Chapter 1

Two Labrador mutts, Scooter and Maisy, were panting behind me. We were on the trail in the woods at the Botanical Gardens before we made it to a clearing on a scorching Georgia June day in 1995. I was twenty-four years old, and I was house-sitting in an antebellum mansion belonging to Bill Berry, R.E.M.’s drummer, while the band was on tour. The dogs belonged to the band’s manager, and part of my job was to take care of Scooter and Maisy. I loved them as if they were my own.

Everybody who saw them commented on how they loved each other, how they had a distinctive theatrical flair. If someone said that Maisy was doing something funny, like dragging her butt across the lawn by pulling herself with her front two paws, Scooter would put on a performance to outdo her—say, kicking up his hind legs like a mule. And he’d check periodically out of the corner of his eye to make sure everybody was watching.

I knew it was crazy for me to take them to the woods that day at noon. My running had turned into a compulsion. I was having a conversation with myself in my head about whether pushing myself like this would ultimately keep me healthy when my thoughts were cut off completely. My inner dialogue was boldly interrupted in a moment that changed my life forever. This was the Joan of Arc experience for which I had unwittingly been preparing myself throughout my entire childhood. I heard a clear, booming voice in the woods. I had never heard a voice like this before. It shook me in the fact that it was entirely sexless, without a trace of being either male or female.

No, you’re wrong, the voice said in response to my earlier thoughts. You will either become paralyzed or you will develop multiple sclerosis.

The voice was not scolding or reprimanding, simply informing me in a straightforward way. It was like there was a tacit clause—Excuse me, I hate to interrupt, but I just need to tell you—silently attached to the voice’s words. Before I tried to process any of it more deeply, I felt the need to give the owner of the voice my input: Can I choose the multiple sclerosis? I asked anxiously in my head. I’ll take the case behind curtain number two, Bob.

The answer was an implicit Yes. With words unspoken, I was made to understand that multiple sclerosis was what I was going home with. I didn’t believe in God or angels exactly, but when trying to figure out who was addressing me while running through the woods, either choice seemed like a pretty good guess. My rejection of the idea of a personified God—especially a white guy with a long white beard—had gotten me into plenty of heated debates over the years. In the past I had only believed in spirit guides theoretically, not as potential conversation partners to chat with while running alone in the woods. But the voice I heard was singular.

I didn’t really know anything about MS. As I kept running beneath the leafy green branches, I confused MS with muscular dystrophy and was puzzled by thinking that it was a condition people had at birth. The cicadas buzzed by the riverbank, punctuating the dense humidity with their drawn-out Morse code as I tried to process this unfathomable choice I had been given. In my mind anything was more bearable than being paralyzed and being unable to walk or run at all. Did the person doing the asking really think I might say, Yes! Sign me up for the spinal injury? I had seen that story played out before and there could be no happy ending for me. I didn’t need any time to opt for a mysterious diagnosis over a known fate I found intolerable. But why did I have a choice to begin with?

Oddly, it was the voice and not the message that unsettled me most. When I say that the voice was sexless, I don’t mean that it was vague and that I couldn’t figure out its gender. It was absolutely neither one. The dogs didn’t seem to hear anything; they kept on running along the red clay earth, tongues hanging out, tails wagging. I didn’t know what this could mean; I had no frame of reference for it, and it frightened me as though I had looked in a mirror and seen no reflection. If you asked me to recreate that voice, I couldn’t do it. Hearing it was like walking out of the house on a normal day and looking up to see two suns in a clear blue sky when everything else looks completely normal. My brain felt like it was short-circuiting. I wiped my forehead with the sleeve of my t-shirt. My clothes were saturated with sweat and my sneakers were caked with red Georgia clay.

I had no yardstick with which to measure this experience, no compass to comprehend where the voice could be coming from. I was dumbfounded and terrified, my head spinning, my heart pounding.

Had my entire life been a sham? My dreams aside, voices from above did not speak to people out loud where I came from. It took only seconds to make me wonder if I had been like an animal in a well-designed zoo, a captive in a microcosm who believes she is free in the wild. For the first time in my life, I was shaken to my core.

The words I heard were haunting and unequivocal. They seemed to reverberate from another dimension, yet they felt like they hit my eardrums tangibly in the physical plane of the here and now, right on the White Trail with the painted wooden trail markers. My feet pounded Nike tread imprints into the earth in rhythm with my heavy breathing.

I had to stop running. Maybe this was a set-up from something like Candid Camera and a film crew would pop out from behind the trees at any moment, laughing at my bewilderment. Or maybe someone was doing a wacky sound art installation and I’d uncover a speaker camouflaged by branches. I looked around nervously, gazing up into the leafy canopy of treetops above me. There was nothing unusual anywhere. I called out,

Helloooo! Is anyone here? I knew there would be no response. This was a voice from somewhere else in the universe. The dogs kept running, elated as they dashed through the clearing in the sun. All I could do was follow them.

In the next few weeks I considered seeing a therapist. What had happened to me was simply crazy and perhaps someone’s credentials could push it deeply enough to the back of my mind so that I could forget about it for a while and convince myself in a couple of years that it had been some kind of quirky hallucination. Within a month, however, I received the first sign that the voice was right. It was sweltering July, but my body seemed to be confusing hot and cold sensations in my legs.

Suddenly, when the fluffy grey cat I was taking care of as part of my house-sitting job rubbed against my bare leg, I felt as though ice cubes were touching my raw nerves. The scalding leather of a car seat made my skin feel as though Freon were running through my body. I did realize that this was a fortunate symptom to have during July in Georgia, and the universe seemed to have a good sense of humor about it. Yes, you’re going to be diagnosed with an incurable illness, but on the bright side, you’re not going to have to pay a fortune to get the air conditioning fixed. When I finally worked up the gumption to open a medical encyclopedia in the oak library where I was staying, I flipped the pages nervously to multiple sclerosis. There it was in black and white—a potentially debilitating neurological disease in which the body’s immune system eats away at the myelin, the protective sheath that covers the nerves.

I read on, shaking, as I diagnosed and undiagnosed myself with each symptom:

Numbness or weakness in one or more limbs, tremor, lack of coordination or unsteady gait: No, I can run five miles like a steam engine without breaking a sweat…definitely not me. Double vision, blurring of vision, partial or complete loss of vision, usually in one eye at a time, often with pain during eye movement: Nuh-uh, I have perfect sight. Electric-shock sensations: Oh crap! Tingling or pain in parts of your body: Okay, maybe not…Fatigue, dizziness: No, no. Cognitive impairment: WHAT the…?! Somatosenory disorder, where neurological receptors that produce sensory modalities such as touch and temperature are impaired and in some cases reversed, causing warmth to be perceived as cold and vice versa: (Loud primal sobbing.)

The phone rang and I don’t know why I answered it, but I did, and it was my mother. I continued bawling. Through my tears I explained to her what had happened in the woods. I could tell she was starting to cry, too, but was trying to keep me from hearing her muffled sobs.

No, Kim, you’re wrong—you just had a false premonition this time and this isn’t going to happen, my mother stated in a steadier-than-usual cadence, wanting to convince us both. Sometimes you ARE wrong and you’ve just let your imagination run away with you. You can’t make a diagnosis by looking at a book. It didn’t sound like my mom talking; she had never told me she doubted me before. I had told my mom about all my dreams and premonitions since I was a little kid, and she had faith in my sixth sense.

In fact, no one had ever told me that they