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Cryptic Armature: Verses in the Manner of....
Cryptic Armature: Verses in the Manner of....
Cryptic Armature: Verses in the Manner of....
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Cryptic Armature: Verses in the Manner of....

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More than just a collection of verses, this book is something of an informal commentary on the history of English literature, something of a conversation with a few of the finest poets in the language. These original poems are written “in the manner of...,” using forms and structures pioneered by great writers (and occasionally artists) of the past to create something contemporary and modern.

LanguageEnglish
Release dateOct 19, 2010
ISBN9781452315911
Cryptic Armature: Verses in the Manner of....
Author

Michael R. Collings

I am a professor emeritus of English at Pepperdine University in Malibu CA (although my retirement home is in southwestern Idaho). During my twenty-seven years at Pepperdine I taught everything from Freshman Composition to Advanced Grammar to Business Writing; from Survey of English Literature to Milton and the Epic; from Introduction to Creative Writing to Senior Seminars in Writing.Along the way, I discovered the joys of writing, not just to meet requirements for graduate degrees or to insure tenure, but for myself--saying things in a way that might make my thoughts more interesting for readers and thereby invite them back into the books I talked about. Most of my academic writing relates to authors I love: John Milton, the great 17th-century English poet, on the one hand; Stephen King, Orson Scott Card, Piers Anthony, and additional science fiction, fantasy, and horror writers on the other.But my real love now is creative writing: novels, short stories, and most especially poetry. My offerings range from the three-line haiku found in Tissue Promises to a 6,500-line epic, The Nephiad. And everything in between.Please let me know what you think at my website: http://www.starshineandshadows.com/

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    Book preview

    Cryptic Armature - Michael R. Collings

    Cryptic Armature

    Verses in the Manner of….

    Michael R. Collings

    Published by Michael R. Collings at Smashwords

    Copyright 2010 Michael R. Collings

    Smashwords Edition, License Notes

    This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.

    Other titles by Michael R. Collings

    At Smashwords.com:

    Shorts: Terse Verse at: http://www.smashwords.com/books/view/26188

    Going on a Picnic: Poems Especially for Children at http://www.smashwords.com/books/view/25752

    A Quizzical Verse: Limericks Comic and Not at http://www.smashwords.com/books/view/24956

    Tissue Promises: 151 Haiku at http://www.smashwords.com/books/view/24475

    Just a Few Words

    Imitation and re-creation have long and illustrious histories in the annals of literature. Every poet builds upon the achievement of those who came before, whether it be through borrowing plots and characters or through copying stanza forms, rhythms and metrics, even specific lines and phrases.

    Such actions are not plagiarism. There is no attempt to disguise the dependence of one poet upon another. Indeed, perceptive readers are supposed to recognize the connections and examine resonances between works…to explore how the earlier makes the latter stronger or more effective.

    Each of the followings poems depends upon scaffolding erected by other—and in this case, far better—poets. Influences may be obvious and overt, or more subtle and covert. But none of these poems could exist without the models provided by past masters.

    Contents: Verses In the Manner of…

    Anglo-Saxon Verse

    The Battle of Brunanburh: A Verse Translation

    On the Viking Immolation of My Son’s Braces

    Leonardo Pisano Bigollo (Leonardo Fibonnacci)

    One Last

    Nellie Hunt

    Storm

    Milk Spills

    Spring—In Process

    7-Step Program

    Dante Alighieri

    Islands

    Weeding in the Poetry Beds

    Giotto di Bondone

    Rounder Than the ‘O’

    Francesco Petrarch

    Something There Is….

    Revelation III

    Beyond the Plains

    John Skelton

    Skelton’s Verse

    Judi’s Otter

    William Shakespeare

    On Stress

    What Might Follow Fire

    To the Wilds

    John Donne

    Death, Be Not Proud

    Robert Herrick

    Upon Julia Unclothed

    George Herbert

    Affliction

    Gianlorenzo Bernini

    The Ecstasy of S. Teresa di Avila

    John Milton

    In a Distant Other-When

    Damon Again

    Sabrina

    On the Morning of Christ’s Nativity

    Mementos

    Alexander Pope

    In Defense of Form

    William Blake

    On William Blake

    William Wordsworth

    Intimations….

    Sir Walter Scott

    Lochinvar

    Emily Dickinson

    Because I Would Not Stop for Death

    Elemental Song

    Agate Slice

    In the Garden, Sweet-Hearts Grow

    Trees Broach Red by Branches

    Stolid by the Roadside

    Robert Frost

    Frost’s Crow, Reappearing

    The Way a Stone

    A Mother’s Smile

    Daisies’ Gold

    A Springtime Rain

    Nectarine

    February Rose

    November Rose

    December Rose

    Adelaide Crapsey

    Snap-back! Cinquains

    Syllables

    Gorgon’s Harsh Hair

    Something Soft

    Eyes Blear

    Guardians—Organ Pipes

    What Did You Say?

    René Magritte

    Quintessence II

    Allen Ginsberg

    WalMart at 3am

    About the Author

    Other Books by Michael R. Collings

    Anglo-Saxon Verse (ca. 800-1200)

    On the surface rough and unsophisticated, Anglo-Saxon verse—the earliest poetry in a recognizable dialect of English—is actually highly polished and capable of remarkable subtleties and nuances. The form seems simple enough: each line has four strong stresses, separated into half-lines by a break, or caesura; and at least the first

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