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Responsibilities and Other Poems
Responsibilities and Other Poems
Responsibilities and Other Poems
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Responsibilities and Other Poems

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"Responsibilities and Other Poems" is a 1916 collection of poetry by Yeats. William Butler Yeats (13 June 1865 - 28 January 1939) was an Irish poet and one of the most prolific literary figures of the 20th-century. At the forefront of both the British and Irish literary movements, he co-founded the Abbey Theatre and was, along with Lady Gregory, Edward Martyn and others, a driving force behind the Irish Literary Revival. In his later life, Yeats also served as a Senator in Ireland. This fantastic volume is highly recommended for all lovers of poetry, and it is not to be missed by readers with an interest in the Irish Literary Revival. Contents include: "Responsibilities, 1912-1914", "Introductory Rhymes", "The Grey Rock", "The Two Kings", "To A Wealthy Man", "September 1913", "To a Friend whose Work has come to Nothing", "Paudeen", "To a Shade", "When Helen Lives", "The Attack on 'The Playboy of the West World", "The Three Beggars", "The Three Hermits", "Beggar to Beggar Cried", etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
LanguageEnglish
Release dateJul 21, 2017
ISBN9781473349285
Responsibilities and Other Poems
Author

William Butler Yeats

W.B. Yeats (1865-1939) was an Irish poet. Born in Sandymount, Yeats was raised between Sligo, England, and Dublin by John Butler Yeats, a prominent painter, and Susan Mary Pollexfen, the daughter of a wealthy merchant family. He began writing poetry around the age of seventeen, influenced by the Romantics and the Pre-Raphaelite Brotherhood, but soon turned to Irish folklore and the mystical writings of William Blake for inspiration. As a young man he joined and founded several occult societies, including the Dublin Hermetic Order and the Hermetic Order of the Golden Dawn, participating in séances and rituals as well as acting as a recruiter. While these interests continued throughout Yeats’ life, the poet dedicated much of his middle years to the struggle for Irish independence. In 1904, alongside John Millington Synge, Florence Farr, the Fay brothers, and Annie Horniman, Yeats founded the Abbey Theatre in Dublin, which opened with his play Cathleen ni Houlihan and Lady Gregory’s Spreading the News and remains Ireland’s premier venue for the dramatic arts to this day. Although he was an Irish Nationalist, and despite his work toward establishing a distinctly Irish movement in the arts, Yeats—as is evident in his poem “Easter, 1916”—struggled to identify his idealism with the sectarian violence that emerged with the Easter Rising in 1916. Following the establishment of the Irish Free State in 1922, however, Yeats was appointed to the role of Senator and served two terms in the position. He was awarded the Nobel Prize in Literature in 1923, and continued to write and publish poetry, philosophical and occult writings, and plays until his death in 1939.

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    Responsibilities and Other Poems - William Butler Yeats

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    RESPONSIBILITIES

    AND OTHER POEMS

    BY

    WILLIAM BUTLER YEATS

    Copyright © 2017 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available from

    the British Library

    Contents

    W. B. Yeats

    RESPONSIBILITIES

    THE GREY ROCK

    THE TWO KINGS

    TO A WEALTHY MAN WHO PROMISED A SECOND SUBSCRIPTION TO THE DUBLIN MUNICIPAL GALLERY IF IT WERE PROVED THE PEOPLE WANTED PICTURES

    SEPTEMBER 1913

    PAUDEEN

    TO A SHADE

    WHEN HELEN LIVED

    THE ATTACK ON 'THE PLAYBOY OF THE WESTERN WORLD,' 1907

    THE THREE BEGGARS

    THE WELL AND THE TREE

    RUNNING TO PARADISE

    THE HOUR BEFORE DAWN

    THE PLAYER QUEEN

    THE REALISTS

    I. THE WITCH

    II. THE PEACOCK

    THE MOUNTAIN TOMB

    TO A CHILD DANCING IN THE WIND

    A MEMORY OF YOUTH

    FALLEN MAJESTY

    FRIENDS

    THE COLD HEAVEN

    THAT THE NIGHT COME

    AN APPOINTMENT

    I. THE MAGI

    II. THE DOLLS

    A COAT

    HIS DREAM

    A WOMAN HOMER SUNG

    THE CONSOLATION

    NO SECOND TROY

    RECONCILIATION

    KING AND NO KING

    PEACE

    AGAINST UNWORTHY PRAISE

    THE FASCINATION OF WHAT'S DIFFICULT

    A DRINKING SONG

    THE COMING OF WISDOM WITH TIME

    ON HEARING THAT THE STUDENTS OF OUR NEW UNIVERSITY HAVE JOINED THE ANCIENT ORDER OF HIBERNIANS AND THE AGITATION AGAINST IMMORAL LITERATURE

    TO A POET, WHO WOULD HAVE ME PRAISE CERTAIN BAD POETS, IMITATORS OF HIS AND MINE

    THE MASK

    UPON A HOUSE SHAKEN BY THE LAND AGITATION

    AT THE ABBEY THEATRE

    THESE ARE THE CLOUDS

    AT GALWAY RACES

    A FRIEND'S ILLNESS

    ALL THINGS CAN TEMPT ME

    THE YOUNG MAN'S SONG

    THE HOUR-GLASS

    NOTES

    W. B. Yeats

    William Butler Yeats was born in Sandymount, County Dublin, Ireland in 1865. He spent his childhood in Country Sligo, and was educated in London, but returned to Dublin at the age of fifteen with the intention of pursuing painting. However, he quickly discovered he preferred poetry, and became involved with the Celtic Revival, an Irish movement resisting the cultural influence of English rule during the Victorian period. Throughout his life, much of Yeats’ work was included by Irish mythology and folklore, as well as various types of mysticism and occultism.

    Yeats’ first verse play, Mosada, was published in 1886. Over the next few years, he continued to write, and mingled with many literary luminaries of the day, such as George Bernard Shaw and Oscar Wilde. His The Wanderings of Usheen and other Poems was published in 1889, and brought him some attention from critics. In the late 1890s, he became involved with The Abbey Theatre – the institution which propelled him to fame and success. As its chief playwright, Yeats staged a number of his best-remembered productions during the years up to 1911, including The Countess Cathleen (1892), The Land of Heart’s Desire (1894) and The King’s Threshold (1904).

    From 1910 onwards, Yeats focussed more on poetry. The collections of lyrical poetry he penned during his last decades - such as The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940) – made him one of the most acclaimed and influential poets in Europe. In 1923, he was awarded the Nobel Prize for Literature. He died in 1939, aged 73, and is now regarded as one of the twentieth century's key English language poets, and a master of the traditional forms.

    'In dreams begins responsibility.'

    Old Play.

    'How am I fallen from myself, for a long time now

    I have not seen the Prince of Chang in my dreams.'

    Khoung-fou-tseu.

    RESPONSIBILITIES

    Pardon, old fathers, if you still remain

    Somewhere in ear-shot for the story's end,

    Old Dublin merchant 'free of ten and four'

    Or trading out of Galway into Spain;

    And country scholar, Robert Emmet's friend,

    A hundred-year-old memory to the poor;

    Traders or soldiers who have left me blood

    That has not passed through any huxter's loin,

    Pardon, and you that did not weigh the cost,

    Old Butlers when you took to horse and stood

    Beside the brackish waters of the Boyne

    Till your bad master blenched and all was lost;

    You merchant skipper that leaped overboard

    After a ragged hat in Biscay Bay,

    You most of all, silent and fierce old man

    Because you were the spectacle that stirred

    My fancy, and set my boyish lips to say

    'Only the wasteful virtues earn the sun';

    Pardon that for a barren passion's sake,

    Although I have come close on forty-nine

    I have no child, I have nothing but a book,

    Nothing but that to prove your blood and mine.

    January 1914.

    THE GREY ROCK

    Poets with whom I learned my trade,

    Companions of the Cheshire Cheese,

    Here's an old story I've re-made,

    Imagining 'twould better please

    Your ears than stories now in fashion,

    Though you may think I waste my breath

    Pretending that there can be

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