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    John Leech's Pictures of Life and Character
    John Leech's Pictures of Life and Character
    John Leech's Pictures of Life and Character
    Ebook40 pages27 minutes

    John Leech's Pictures of Life and Character

    By William Makepeace Thackeray

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    John Leech's Pictures of Life and Character
    Author

    William Makepeace Thackeray

    William Makepeace Thackeray (1811–1863) was a multitalented writer and illustrator born in British India. He studied at Trinity College, Cambridge, where some of his earliest writings appeared in university periodicals. As a young adult he encountered various financial issues including the failure of two newspapers. It wasn’t until his marriage in 1836 that he found direction in both his life and career. Thackeray regularly contributed to Fraser's Magazine, where he debuted a serialized version of one of his most popular novels, The Luck of Barry Lyndon. He spent his decades-long career writing novels, satirical sketches and art criticism.

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      Book preview

      John Leech's Pictures of Life and Character - William Makepeace Thackeray

      The Project Gutenberg EBook of John Leech's Pictures of Life and Character, by

      William Makepeace Thackeray

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever.  You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.org

      Title: John Leech's Pictures of Life and Character

      Author: William Makepeace Thackeray

      Release Date: May 21, 2006 [EBook #2646]

      Last Updated: December 17, 2012

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK JOHN LEECH'S PICTURES OF ***

      Produced by Donald Lainson; David Widger

      JOHN LEECH'S PICTURES OF LIFE AND CHARACTER

      By William Makepeace Thackeray

      * Reprinted from the Quarterly Review, No. 191, Dec. 1854,

      by permission of Mr. John Murray.

      We, who can recall the consulship of Plancus, and quite respectable, old-fogyfied times, remember amongst other amusements which we had as children the pictures at which we were permitted to look. There was Boydell's Shakspeare, black and ghastly gallery of murky Opies, glum Northcotes, straddling Fuselis! there were Lear, Oberon, Hamlet, with starting muscles, rolling eyeballs, and long pointing quivering fingers; there was little Prince Arthur (Northcote) crying, in white satin, and bidding good Hubert not put out his eyes; there was Hubert crying; there was little Rutland being run through the poor little body by bloody Clifford; there was Cardinal Beaufort (Reynolds) gnashing his teeth, and grinning and howling demoniacally on his death-bed (a picture frightful to the present day); there was Lady Hamilton (Romney) waving a torch, and dancing before a black background,—a melancholy museum indeed. Smirke's delightful Seven Ages only fitfully relieved its general gloom. We did not like to inspect it unless the elders were present, and plenty of lights and company were in the room.

      Cheerful relatives used to treat us to Miss Linwood's. Let the children of the present generation thank their stars THAT tragedy is put out of their way. Miss Linwood's was worsted-work. Your grandmother or grandaunts took you there and said the pictures were admirable. You saw the Woodman in worsted, with his axe and dog, trampling through the snow; the snow bitter cold to look at, the woodman's pipe wonderful: a gloomy piece, that made you shudder. There were large dingy pictures of woollen martyrs, and scowling warriors with limbs strongly knitted; there was especially, at the end

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