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    The Mansion
    The Mansion
    The Mansion
    Ebook69 pages41 minutes

    The Mansion

    By Elizabeth Shippen Green Elliott and Henry Van Dyke

    ()

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013

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      Book preview

      The Mansion - Elizabeth Shippen Green Elliott

      The Project Gutenberg EBook of The Mansion, by Henry Van Dyke

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.org

      Title: The Mansion

      Author: Henry Van Dyke

      Illustrator: Elizabeth Shippen Green

      Release Date: December 15, 2011 [EBook #38312]

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK THE MANSION ***

      Produced by Jen Haines, Suzanne Shell and the Online

      Distributed Proofreading Team at http://www.pgdp.net (This

      file was produced from images generously made available

      by The Internet Archive/Canadian Libraries)

      The Mansion

      [See page 57

      BUT HOW HAVE I FAILED SO WRETCHEDLY?

      THE MANSION

      BY

      Henry van Dyke

      WITH ILLUSTRATIONS BY

      ELIZABETH SHIPPEN GREEN

      Illustration: Publisher Logo

      HARPER & BROTHERS PUBLISHERS

      NEW YORK AND LONDON . M . C . M . X . I

      COPYRIGHT, 1910, 1911, BY HARPER & BROTHERS

      PRINTED IN THE UNITED STATES OF AMERICA

      PUBLISHED OCTOBER, 1911

      The Mansion

      here was an air of calm and reserved opulence about the Weightman mansion that spoke not of money squandered, but of wealth prudently applied. Standing on a corner of the Avenue no longer fashionable for residence, it looked upon the swelling tide of business with an expression of complacency and half-disdain.

      [Pg 2]

      The house was not beautiful. There was nothing in its straight front of chocolate-colored stone, its heavy cornices, its broad, staring windows of plate glass, its carved and bronze-bedecked mahogany doors at the top of the wide stoop, to charm the eye or fascinate the imagination. But it was eminently respectable, and in its way imposing. It seemed to say that the glittering shops of the jewelers, the milliners, the confectioners, the florists, the picture-dealers, the furriers, the makers of rare and costly antiquities, retail traders in luxuries of life, were beneath the notice of a house that had its foundations in the high finance, and was built literally and figuratively in the shadow of St. Petronius' Church.

      [Pg 3]

      At the same time there was something self-pleased and congratulatory in the way in which the mansion held its own amid the changing neighborhood. It almost seemed to be lifted up a little, among the tall buildings near at hand, as if it felt the rising value of the land on which it stood.

      John Weightman was like the house into which he had built himself thirty years ago, and in which his ideals and ambitions were incrusted. He was a self-made man. But in making himself he had chosen a highly esteemed pattern and worked according to the approved rules. There was nothing irregular, questionable, flamboyant about him. He was solid, correct, and justly successful.

      His minor tastes, of course, had been carefully kept up to date. At the proper time, pictures by the Barbizon masters, old English plate and portraits, bronzes by Barye and marbles by Rodin, Persian carpets and Chinese porcelains, had been introduced to the mansion. It contained a Louis Quinze reception-room, an Empire drawing-room, a Jacobean dining-room, and various apartments dimly

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