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Meissonier 
Masterpieces in Colour Series
Meissonier 
Masterpieces in Colour Series
Meissonier 
Masterpieces in Colour Series
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Meissonier  Masterpieces in Colour Series

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Release dateNov 27, 2013
Meissonier 
Masterpieces in Colour Series
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Henri Barbusse

Henri Barbusse (1873-1935) was a novelist and member of the French Communist Party. Born in Asnières-sur-Seine, he moved to Paris at 16. There, he published his first book of poems, Pleureuses (1895) and embarked on a career as a novelist and biographer. In 1914, at the age of 41, Barbusse enlisted in the French Army to serve in the First World War, for which he would earn the Croix de guerre. His novel Under Fire (1916) was inspired by his experiences in the war, which scarred him and influenced his decision to become a pacifist. In 1918, he moved to Moscow, where he joined the Bolshevik Party and married a Russian woman. Barbusse briefly returned to France, joining the French Communist Party in 1923, before moving back to Russia to work as a writer whose purpose was to support Bolshevism, illuminate the dangers of capitalism, and inspire revolutionary movements worldwide. In addition to his writing, Barbusse took part in the World Committee Against War and Fascism and the International Youth Congress, as well as worked as an editor for Monde, Progrès Civique, and L’Humanité. His final work was a biography of Joseph Stalin, which appeared in 1936 after his death from pneumonia in Moscow. Buried in Paris, his funeral was attended by a half million mourners. Among his many friends and colleagues were Egon Kisch, Albert Einstein, and Romain Rolland.

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    Meissonier  Masterpieces in Colour Series - Henri Barbusse

    The Project Gutenberg eBook, Meissonier, by Henri Barbusse, Translated by Frederic Taber Cooper

    This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

    Title: Meissonier

    Masterpieces in Colour Series

    Author: Henri Barbusse

    Release Date: July 3, 2013 [eBook #43085]

    Language: English

    Character set encoding: UTF-8

    ***START OF THE PROJECT GUTENBERG EBOOK MEISSONIER***

    E-text prepared by sp1nd, Matthew Wheaton,

    and the Online Distributed Proofreading Team

    (http://www.pgdp.net)

    from page images generously made available by

    Internet Archive

    (http://archive.org)


    MEISSONIER

    MASTERPIECES

    IN COLOR

    MASTERPIECES

    IN COLOUR

    EDITED BY - -

    M. HENRY ROUJON

    MEISSONIER

    (1815-1891)


    PLATE I.—THE FLUTE-PLAYER

    (In the Musée du Louvre)

    Meissonier’s erudition was such that it enabled him to combine the skill of the artist with the utmost fidelity in details of costume. In the Flute-player, the artist predominates. This figure, with foot slightly raised in the act of beating time, is admirably life-like.


    MEISSONIER

    TRANSLATED FROM THE FRENCH

    BY FREDERIC TABER COOPER

    ILLUSTRATED WITH EIGHT

    REPRODUCTIONS IN COLOUR

    IN SEMPITERNUM.

    FREDERICK A. STOKES COMPANY

    NEW YORK—PUBLISHERS

    COPYRIGHT, 1912, BY

    FREDERICK A. STOKES COMPANY

    May 1912

    THE · PLIMPTON · PRESS

    [W · D · O]

    NORWOOD · MASS · USA


    CONTENTS


    LIST OF ILLUSTRATIONS



    INTRODUCTION

    ONE day—it was neither in war time nor during manoeuvres—on a July morning, with the sun shining radiantly, a squadron of cuirassiers passed at full gallop across a magnificent field of ripening grain, in the neighbourhood of Poissy, although on every side there were wide reaches of fallow land and pasture.

    When this hurricane of horses and men had, like a blazing meteor, devastated and laid low the splendid gold of the crops, two men remained behind, surveying the scene with visible satisfaction and undisguised interest.

    One of the two was tall and the other short. The tall man was Colonel Dupressoir, who had directed the manoeuvre. The other, an elderly man, short of leg, and ruddy of complexion, with a long beard, white and silken, and a singularly expressive eye, was the painter, Meissonier. The latter had achieved his object. Thanks to long insistence and the payment of indemnities, he had brought about the passage of cavalry across that field, in order that he might make studies from nature, needed for a

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