Meissonier Masterpieces in Colour Series
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Henri Barbusse
Henri Barbusse (1873-1935) was a novelist and member of the French Communist Party. Born in Asnières-sur-Seine, he moved to Paris at 16. There, he published his first book of poems, Pleureuses (1895) and embarked on a career as a novelist and biographer. In 1914, at the age of 41, Barbusse enlisted in the French Army to serve in the First World War, for which he would earn the Croix de guerre. His novel Under Fire (1916) was inspired by his experiences in the war, which scarred him and influenced his decision to become a pacifist. In 1918, he moved to Moscow, where he joined the Bolshevik Party and married a Russian woman. Barbusse briefly returned to France, joining the French Communist Party in 1923, before moving back to Russia to work as a writer whose purpose was to support Bolshevism, illuminate the dangers of capitalism, and inspire revolutionary movements worldwide. In addition to his writing, Barbusse took part in the World Committee Against War and Fascism and the International Youth Congress, as well as worked as an editor for Monde, Progrès Civique, and L’Humanité. His final work was a biography of Joseph Stalin, which appeared in 1936 after his death from pneumonia in Moscow. Buried in Paris, his funeral was attended by a half million mourners. Among his many friends and colleagues were Egon Kisch, Albert Einstein, and Romain Rolland.
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Meissonier Masterpieces in Colour Series - Henri Barbusse
The Project Gutenberg eBook, Meissonier, by Henri Barbusse, Translated by Frederic Taber Cooper
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Meissonier
Masterpieces in Colour Series
Author: Henri Barbusse
Release Date: July 3, 2013 [eBook #43085]
Language: English
Character set encoding: UTF-8
***START OF THE PROJECT GUTENBERG EBOOK MEISSONIER***
E-text prepared by sp1nd, Matthew Wheaton,
and the Online Distributed Proofreading Team
(http://www.pgdp.net)
from page images generously made available by
Internet Archive
(http://archive.org)
MEISSONIER
MASTERPIECES
IN COLOR
MASTERPIECES
IN COLOUR
EDITED BY - -
M. HENRY ROUJON
MEISSONIER
(1815-1891)
PLATE I.—THE FLUTE-PLAYER
(In the Musée du Louvre)
Meissonier’s erudition was such that it enabled him to combine the skill of the artist with the utmost fidelity in details of costume. In the Flute-player, the artist predominates. This figure, with foot slightly raised in the act of beating time, is admirably life-like.
MEISSONIER
TRANSLATED FROM THE FRENCH
BY FREDERIC TABER COOPER
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
IN SEMPITERNUM.
FREDERICK A. STOKES COMPANY
NEW YORK—PUBLISHERS
COPYRIGHT, 1912, BY
FREDERICK A. STOKES COMPANY
May 1912
THE · PLIMPTON · PRESS
[W · D · O]
NORWOOD · MASS · USA
CONTENTS
LIST OF ILLUSTRATIONS
INTRODUCTION
ONE day—it was neither in war time nor during manoeuvres—on a July morning, with the sun shining radiantly, a squadron of cuirassiers passed at full gallop across a magnificent field of ripening grain, in the neighbourhood of Poissy, although on every side there were wide reaches of fallow land and pasture.
When this hurricane of horses and men had, like a blazing meteor, devastated and laid low the splendid gold of the crops, two men remained behind, surveying the scene with visible satisfaction and undisguised interest.
One of the two was tall and the other short. The tall man was Colonel Dupressoir, who had directed the manoeuvre. The other, an elderly man, short of leg, and ruddy of complexion, with a long beard, white and silken, and a singularly expressive eye, was the painter, Meissonier. The latter had achieved his object. Thanks to long insistence and the payment of indemnities, he had brought about the passage of cavalry across that field, in order that he might make studies from nature, needed for a