A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-'85, Government Printing Office, Washington, 1888, (pages 189-252)
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A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-'85, Government Printing Office, Washington, 1888, (pages 189-252) - William Henry Holmes
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Title: A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament
Sixth Annual Report of the Bureau of Ethnology to the
Secretary of the Smithsonian Institution, 1884-'85,
Government Printing Office, Washington, 1888, (pages
189-252)
Author: William H. Holmes
Release Date: February 9, 2006 [EBook #17730]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK A STUDY OF THE TEXTILE ART ***
Produced by PM for Bureau of American Ethnology, Jeannie
Howse and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
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A STUDY OF THE TEXTILE ART
IN ITS RELATION TO THE
DEVELOPMENT OF FORM AND ORNAMENT
BY
WILLIAM H. HOLMES.
Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution,
1884-'85, Government Printing Office, Washington, 1888, pages 189-252
CONTENTS.
ILLUSTRATIONS.
TEXTILE ART IN ITS RELATION TO THE DEVELOPMENT OF FORM AND ORNAMENT.
By William H. Holmes.
INTRODUCTION.
The textile art is one of the most ancient known, dating back to the very inception of culture. In primitive times it occupied a wide field, embracing the stems of numerous branches of industry now expressed in other materials or relegated to distinct systems of construction. Accompanying the gradual narrowing of its sphere there was a steady development with the general increase of intelligence and skill so that with the cultured nations of to-day it takes an important, though unobtrusive, place in the hierarchy of the arts.
Woven fabrics include all those products of art in which the elements or parts employed in construction are largely filamental and are combined by methods conditioned chiefly by their flexibility. The processes employed are known by such terms as interlacing, plaiting, netting, weaving, sewing, and embroidering.
The materials used at first are chiefly filiform vegetal growths, such as twigs, leaves, roots, and grasses, but later on filiform