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    The Mirror of Literature, Amusement, and Instruction Volume 13, No. 373, Supplementary Number
    The Mirror of Literature, Amusement, and Instruction Volume 13, No. 373, Supplementary Number
    The Mirror of Literature, Amusement, and Instruction Volume 13, No. 373, Supplementary Number
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    The Mirror of Literature, Amusement, and Instruction Volume 13, No. 373, Supplementary Number

    By Various Various

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 25, 2013
    The Mirror of Literature, Amusement, and Instruction Volume 13, No. 373, Supplementary Number

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      The Mirror of Literature, Amusement, and Instruction Volume 13, No. 373, Supplementary Number - Various Various

      The Project Gutenberg eBook, The Mirror of Literature, Amusement, and Instruction, Vol. 13, Issue 373, Supplementary Number, by Various

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: The Mirror of Literature, Amusement, and Instruction, Vol. 13, Issue 373, Supplementary Number

      Author: Various

      Release Date: February 27, 2004 [eBook #11338]

      Language: English

      Character set encoding: iso-8859-1

      ***START OF THE PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION, VOL. 13, ISSUE 373, SUPPLEMENTARY NUMBER***

      E-text prepared by Jonathan Ingram, Keith M. Eckrich, David Garcia,

      and the Project Gutenberg Online Distributed Proofreading Team

      THE MIRROR

      OF

      LITERATURE, AMUSEMENT, AND INSTRUCTION.

      ANNE OF GEIERSTEIN, or THE MAIDEN OF THE MIST

      A NOVEL. BY SIR WALTER SCOTT, BART.

      The author of this delightful novel, by the fertility of his genius, has almost exhausted the rhetoric of admiration, and even the vocabulary of criticism. But we still hail his appearance with heartfelt interest, if not with the enthusiasm and rapture with which we were wont to speak of his earlier productions. The incognito of their authorship is removed, but with it none of their genuine fame; and, like few works of the same class, their popularity bids fair to outlive hundreds of matter-of-fact works, whose realities might have been expected to ensure them a more durable character. It would be idle, at this time of day, to go over the ground upon which the Waverley Novels will take their stand among our national literature: they are not merely pictures of fact and fancy blended by a masterly hand, but beyond this merit, they abound with so much knowledge of the human heart and the mastery of its passions, as to render them interesting to every reader beyond Robinson Crusoe; and above all, the free, conversational style in which this knowledge is imparted, is one of their greatest attractions. The author does not account for effects by any tedious appeal to our judgment, but he strikes at once at our feelings and common sense, and we become, as it were, identified with the dictates and impulses of his heroes. This merit belongs to book-effect, as situations belong to stage-effect; the endings of his chapters are like good exits—we are sure to be curious as to the following page or scene.

      But we are trifling, like a subordinate who stays behind to say a silly thing in a farce. Having overrun Scotland, England, France, Palestine, and Germany, Sir Walter, in the work before us, introduces us to some of the most stirring times of Swiss story. Upon this simple intimation, the reader will anticipate all the fascinations of picturesque scenery and eloquent description—so characteristic of every volume of the Waverley Novels, and in this expectation, he will not be disappointed. The latter charms are constant in nothing but perpetual change; and the sublimities of Switzerland will excite admiration and awe, when the labours of man have crumbled to ruin, and all his proud glories passed away in the dream of time.

      The novel opens in the year 1474, when Helvetia, after her heroic struggles for independence, began to be recognised by the neighbouring countries as a free state. At this date, its inhabitants retained, in a great measure, the wisdom, moderation, and simplicity of their ancient manners; so much so, that those who were entrusted with the command of the troops of the Republic in battle, were wont to resume the shepherd's staff, when they laid down the truncheon, and, like the Roman Dictators, to retire to complete equality with their fellow citizens, from the eminence to which their talents, and the call of their country had raised them.

      The first chapter introduces us to two travellers and their guide, who lose their way in the mountainous passes of the Alps, from Lucerne to Bâle. The travellers are Englishmen, give themselves out as merchants, and assume the name of Philipson, the Christian name of the younger, who is the hero of the novel, being Arthur. They are overtaken by a storm, and fall into perils, a scene of which we have already given at page 313, of the MIRROR. They are at length rescued, by a party of Swiss from the neighbourhood of the old castle of Geierstein, or Rock of the Vulture. This party turns out to consist of Arnold Biederman, the Landamman, or Chief Magistrate of the Canton of Unterwalden, and his sons, who reside upon a farm among the mountains. Along with them comes another, who is mainly instrumental in saving the life of Arthur, and this is Anne of Geierstein, the Landamman's niece, a mountain maiden, but of noble birth, the daughter of one of the best families in Switzerland, and combining all the delicacy of a woman with all the heroic spirit of a

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