Main-Travelled Roads

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Title: Main-Travelled Roads

Author: Hamlin Garland

Posting Date: April 11, 2010 [EBook #2809]

Project Gutenberg Etext Main-Travelled Roads, by Hamlin Garland

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Main-Travelled Roads

by

Hamlin Garland

To

My Father And Mother Whose Half-Century Pilgrimage on the

Main-Travelled Road of Life Has Brought Them Only Toil and

Deprivation, This Book of Stories Is Dedicated By a Son to Whom

Every Day Brings a Deepening Sense of His Parents' Silent Heroism

The main-travelled road in the West (as everywhere) is hot and dusty in summer, and desolate and drear with mud in fall and spring, and in winter the winds sweep the snow across it; but it does sometimes cross a rich meadow where the songs of the larks and bobolinks and blackbirds are tangled. Follow it far enough, it may lead past a bend in the river where the water laughs eternally over its shallows.

Mainly it is long and wearyful and has a dull little town at one end, and a home of toil at the other. Like the main-travelled road of life, it is traversed by many classes of people, but the poor and the weary predominate.

Table of Contents

  Preface

  A Branch Road

  Up the Coulee

  Among the Corn Rows

  The Return of a Private

  Under the Lion's Paw

  The Creamery Man

  A Day's Pleasure

  Mrs Ripley's Trip

  Uncle Ethan Ripley

  God's Ravens

  A Good Fellow's Wife

PREFACE

In the summer of 1887, after having been three years in Boston and six years absent from my old home in northern Iowa, I found myself with money enough to pay my railway fare to Ordway, South Dakota, where my father and mother were living, and as it cost very little extra to go by way of Dubuque and Charles City, I planned to visit Osage, Iowa, and the farm we had opened on Dry Run prairie in 1871.

Up to this time I had written only a few poems and some articles descriptive of boy life on the prairie, although I was doing a good deal of thinking and lecturing on land reform, and was regarded as a very intense disciple of Herbert Spencer and Henry George a singular combination, as I see it now. On my way westward, that summer day in 1887, rural life presented itself from an entirely new angle. The ugliness, the endless drudgery, and the loneliness of the farmer's lot smote me with stern insistence. I was the militant reformer.

The farther I got from Chicago the more depressing the landscape became. It was bad enough in our former home in Mitchell County, but my pity grew more intense as I passed from northwest Iowa into southern Dakota. The houses, bare as boxes, dropped on the treeless plains, the barbed-wire fences running at right angles, and the towns mere assemblages of flimsy wooden sheds with painted-pine battlement, produced on me the effect of an almost helpless and sterile poverty.

My dark mood was deepened into bitterness by my father's farm, where I found my mother imprisoned in a small cabin on the enormous sunburned, treeless plain, with no expectation of ever living anywhere else. Deserted by her sons and failing in health, she endured the discomforts of her life uncomplainingly-but my resentment of things as they are deepened during my talks with her neighbors, who were all housed in the same unshaded cabins in equal poverty and loneliness. The fact that at twenty-seven I was without power to aid my mother in any substantial way added to my despairing mood.

My savings for the two years of my teaching in Boston were not sufficient to enable me to purchase my return ticket, and when my father offered me a stacker's wages in the harvest field I accepted and for two weeks or more proved my worth with the fork, which was still mightier-with me-than the pen.

However, I did not entirely neglect the pen. In spite of the dust and heat of the wheat rieks I dreamed of poems and stories. My mind teemed with subjects for fiction, and one Sunday morning I set to work on a story which had been suggested to me by a talk with my mother, and a few hours later I read to her (seated on the low sill of that treeless cottage) the first two thousand words of Mrs. Ripley's Trip, the first of the series of sketches which became Main-Travelled Roads.

I did not succeed in finishing it, however, till after my return to Boston in September. During the fall and winter of '87 and the winter and spring of '88, I wrote the most of the stories in Main-Travelled Roads, a novelette for the Century Magazine, and a play called Under the Wheel. The actual work of the composition was carried on in the south attic room of Doctor Cross's house at 21 Seaverns Avenue, Jamaica Plain.

The mood of bitterness in which these books were written was renewed and augmented by a second visit to my parents in 1889, for during my stay my mother suffered a stroke of paralysis due to overwork and the dreadful heat of the summer. She grew better before the time came for me to return to my teaching in Boston, but I felt like a sneak as I took my way to the train, leaving my mother and sister on that bleak and sun-baked plain.

Old Paps Flaxen, Jason Edwards, A Spoil of Office, and most of the stories gathered into the second volume of Main-Travelled Roads were written in the shadow of these defeats. If they seem unduly austere, let the reader remember the times in which they were composed. That they were true of the farms of that day no one can know better than I, for I was there-a farmer.

Life on the farms of Iowa and Wisconsin-even on the farms of Dakota-has gained in beauty and security, I will admit, but there are still wide stretches of territory in Kansas and Nebraska where the farmhouse is a lonely shelter. Groves and lawns, better roads, the rural free delivery, the telephone, and the motorcar have done much to bring the farmer into a frame of mind where he is contented with his lot, but much remains to be done before the stream of young life from the country to the city can be checked.

The two volumes of Main-Travelled Roads can now be taken to be what William Dean Howells called them, historical fiction, for they form a record of the farmer's life as I lived it and studied it. In these two books is a record of the privations and hardships of the men and women who subdued the midland wilderness and prepared the way for the present golden age of agriculture.

H.G.

March 1, 1922

A BRANCH ROAD

I

Keep the main-travelled road till you come to a branch leading off-keep to the right.

IN the windless September dawn a voice went singing, a man's voice, singing a cheap and common air. Yet something in the elan of it all told he was young, jubilant, and a happy lover.

Above the level belt of timber to the east a vast dome of pale undazzling gold was rising, silently and swiftly. Jays called in the thickets where the maples flamed amid the green oaks, with irregular splashes of red and orange. The grass was crisp with frost under the feet, the road smooth and gray-white in color, the air was indescribably sweet, resonant, and stimulating. No wonder the man sang.

He came Into view around the curve in the lane. He had a fork on his shoulder, a graceful and polished tool. His straw hat was tilted on the back of his head, his rough, faded coat was buttoned close to the chin, and he wore thin buckskin gloves on his hands. He looked muscular and intelligent, and was evidently about twenty-two or -three years of age.

As he walked on, and the sunrise came nearer to him, he stopped his song. The broadening heavens had a majesty and sweetness that made him forget the physical joy of happy youth. He grew almost sad with the great vague thoughts and emotions which rolled in his brain as the wonder of the morning grew.

He walked more slowly, mechanically following the road, his eyes on the ever-shifting streaming banners of rose and pale green, which made the east too glorious for any words to tell. The air was so still it seemed to await expectantly the coming of the sun.

Then his mind flew back to Agnes. Would she see it? She was at work, getting breakfast, but he hoped she had time to see it. He was in that mood so common to him now, when he could not fully enjoy any sight or sound unless he could share it with her. Far down the road he heard the sharp clatter of a wagon. The roosters were calling near and far, in many keys and tunes. The dogs were barking, cattle bells jangling in the wooded pastures, and as the youth passed farmhouses, lights in the kitchen windows showed that the women were astir about breakfast, and the sound of voices and curry-combs at the barn told that the men were at their daily chores.

And the east bloomed broader. The dome of gold grew brighter, the faint clouds here and there flamed with a flush of red. The frost began to glisten with a reflected color. The youth dreamed as he walked; his broad face and deep earnest eyes caught and reflected some of the beauty and majesty of the sky.

But as he passed a farm gate and a young man of about his own age joined him, his brow darkened. The other man was equipped for work like himself.

Hello, Will!

Hello, Ed!

Going down to help Dingman thrash?

Yes, replied Will shortly. It was easy to see he didn't welcome company.

So'm I. Who's goin' to do your thrashin-Dave McTurg?

Yes, I guess so. Haven't spoken to anybody yet.

They walked on side by side. Will didn't feel like being rudely broken in on in this way. The two men were rivals, but Will, being the victor, would have been magnanimous, only he wanted to be alone with his lover's dream.

When do you go back to the sem'? Ed asked after a little.

Term begins next week. I'll make a break about second week.

Le's see: you graduate next year, don't yeh?

I expect to, if I don't slip up on it.

They walked on side by side, both handsome fellows; Ed a little more showy in his face, which had a certain clean-cut precision of line and a peculiar clear pallor that never browned under the sun. He chewed vigorously on a quid of tobacco, one of his most noticeable bad habits.

Teams could be heard clattering along on several roads now, and jovial voices singing. One team coming along behind the two men, the driver sung out in good-natured warning, Get out o' the way, there. And with a laugh and a chirp spurred his horses to pass them.

Ed, with a swift understanding of the driver's trick, flung out his left hand and caught the end-gate, threw his fork in, and leaped after it. Will walked on, disdaining attempt to catch the wagon. On all sides now the wagons of the plowmen or threshers were getting out into the fields, with a pounding, rumbling sound.

The pale red sun was shooting light through the leaves, and warming the boles of the great oaks that stood in the yard, and melting the frost off the great gaudy threshing machine that stood between the stacks. The interest, picturesqueness of it all got hold of Will Hannan, accustomed to it as he was. The homes stood about in a circle, hitched to the ends of the six sweeps, all shining with frost.

The driver was oiling the great tarry cogwheels underneath. Laughing fellows were wrestling about the yard. Ed Kinney had scaled the highest stack, and stood ready to throw the first sheaf. The sun, lighting him where he stood, made his fork handle gleam like dull gold. Cheery words, jests, and snatches of song everywhere. Dingman bustled about giving his orders and placing his men, and the voice of big Dave McTurg was heard calling to the men as they raised the long stacker into place:

Heave-ho, there! Up she rises!

And, best of all, Will caught a glirnpse of a smiling girl face at the kitchen window that made the blood beat in his throat.

Hello, Will! was the general greeting, given with some constraint by most of the young fellows, for Will had been going to Rock River to school for some years, and there was a little feeling of jealousy on the part of those who pretended to sneer at the seminary chaps like Will Hannan and Milton Jennings.

Dingrnan came up. "Will, I guess you'd better go on the stack with

Ed."

All ready. Hurrah, there! said David in his soft but resonant bass voice that always had a laugh in it. Come, come, every sucker of yeh git hold o' something. All ready! He waved his hand at the driver, who climbed upon his platform. Everybody scrambled into place.

Chk, chk! All ready, boys! Stiddy there, Dan! Chk, chk! All ready, boys! Stiddy there, boys! All ready now! The horses began to strain at the sweeps. The cylinder began to hum.

Grab a root there! Where's my band cutter? Here, you, climb on here! And David reached down and pulled Shep Watson up by the shoulder with his gigantic hand.

Boo-oo-oom, Boo-woo-woo-oom-oom-ow-owm, yarryarr! The whirling cylinder boomed, roared, and snarled as it rose in speed. At last, when its tone became a rattling yell, David nodded to the pitchers, rasped his hands together, the sheaves began to fall from the stack, the band cutter, knife in hand, slashed the bands in twain, and the feeder with easy majestic motion gathered them under his arm, rolled them out into an even belt of entering wheat, on which the cylinder tore with its frightful, ferocious snarl.

Will was very happy in Its quiet way. He enjoyed the smooth roll of his great muscles, the sense of power he felt in his hands as he lifted, turned, and swung the heavy sheaves two by two down upon the table, where the band cutter madly slashed away. His frame, sturdy rather than tall, was nevertheless lithe, and he made a fine figure to look at, so Agnes thought, as she came out a moment and bowed and smiled to both the young men.

This scene, one of the jolliest and most sociable of the western farm, had a charm quite aside from human companionship. The beautiful yellow straw entering the cylinder; the clear yellow-brown wheat pulsing out at the side; the broken straw, chaff, and dust puffing out on the great stacker; the