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    The Future of English Poetry
    The Future of English Poetry
    The Future of English Poetry
    Ebook60 pages39 minutes

    The Future of English Poetry

    By Edmund Gosse

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 15, 2013
    The Future of English Poetry

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      Book preview

      The Future of English Poetry - Edmund Gosse

      The Project Gutenberg eBook, The Future of English Poetry, by Edmund Gosse

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.org

      Title: The Future of English Poetry

      Author: Edmund Gosse

      Release Date: May 22, 2010 [eBook #32477]

      Language: English

      Character set encoding: ISO-8859-1

      ***START OF THE PROJECT GUTENBERG EBOOK THE FUTURE OF ENGLISH POETRY***

      E-text prepared by Meredith Bach

      and the Project Gutenberg Online Distributed Proofreading Team

      (http://www.pgdp.net)

      from page images generously made available by

      Internet Archive/Canadian Libraries

      (http://www.archive.org/details/toronto)

      THE ENGLISH ASSOCIATION

      Pamphlet No. 25

      The Future of English Poetry

      By

      Edmund Gosse, C.B.

      June, 1913

      A copy of this pamphlet is supplied to all full members of the Association. They can obtain further copies (price 1s.) on application to the Secretary, Mr. A. V. Houghton, Imperial College Union, South Kensington, London, S.W.

      THE ENGLISH ASSOCIATION

      Pamphlet No. 25

      The Future of English Poetry

      By

      Edmund Gosse, C.B.

      June, 1913

      THE FUTURE OF ENGLISH POETRY

      In venturing this afternoon to address an audience accustomed to listen to those whose positive authority is universally recognized, and in taking for my theme a subject not, like theirs, distinct in its definitions or consecrated by tradition and history, I am aware that I perform what you may, if you choose, call an act of blameworthy audacity. My subject is chimerical, vague, and founded on conjectures which you may well believe yourselves at least as well fitted as I am to propound. Nevertheless, and in no rash or paradoxical spirit, I invite you to join with me in some reflections on what is the probable course of English poetry during, let us say, the next hundred years. If I happen to be right, I hope some of the youngest persons present will say, when I am long turned to dust, what an illuminating prophet I was. If I happen to be wrong, why, no one will remember anything at all about the matter. In any case we may possibly be rewarded this afternoon by some agreeable hopes and by the contemplation of some pleasant analogies.

      Our title takes for granted that English poetry[1] will continue, with whatever fluctuations, to be a living and abiding thing. This I must suppose that you all accede to, and that you do not look upon poetry as an art which is finished, or the harvest of classic verse as one which is fully reaped and garnered. That has been believed at one time and another, in various parts of the globe. I will mention one instance in the history of our own time: a quarter of a century ago, the practice of writing verse was deliberately abandoned in the literatures of the three Scandinavian countries, but particularly in that of Norway, where no poetry, in our

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