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Serenade for a Small Family: A True Story of Love, Babies, and a Winding Road to Happiness
Serenade for a Small Family: A True Story of Love, Babies, and a Winding Road to Happiness
Serenade for a Small Family: A True Story of Love, Babies, and a Winding Road to Happiness
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Serenade for a Small Family: A True Story of Love, Babies, and a Winding Road to Happiness

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An earthy, honest and heart-breaking memoir of a young mother and her premature babies, Serenade for a Small Family is a simple, moving, and unforgettable story of love and loss. Ingrid Laguna never did things the easy way—she spent much of her young adulthood rebelling against conformism, playing in a mostly girl band and traveling around Australia, before marrying Ben and going to live in Alice Springs. Pregnancy didn't come easily either but, through IVF, she finally fell pregnant. And when she went into premature labor at 23 weeks and her twin sons were born-each weighing about the same as a pat of butter and small enough to fit into the palm of her hand—she had to call on all her reserves of strength and stubbornness to see the journey through and be the mother that her sons needed. This is an earthy, honest, and heartbreaking memoir about what it means to love; and about the terrible powerlessness and torment involved when there is fear of losing a child. Yet despite the pain and anguish, Ingrid's memoir is at its heart about how we can experience unimaginable difficulty—and still somehow find the spirit to come through blazing with love and optimism and even a kind of joy.
LanguageEnglish
PublisherAllen Unwin
Release dateSep 1, 2010
ISBN9781742691190
Serenade for a Small Family: A True Story of Love, Babies, and a Winding Road to Happiness

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    Serenade for a Small Family - Ingrid Laguna

    As a percussionist, singer and songwriter, Ingrid Laguna has toured Europe, Asia and Australia, recorded several albums, and run percussion and songwriting workshops. With performance group Ruby Fruit Jungle, she supported Led Zeppelin’s Robert Plant and Jimmy Page, playing at Australia’s biggest entertainment venues. In the Australian film industry, Ingrid worked as a crew member on numerous television commercials, a telemovie and a short film. She has held senior positions in arts administration. While in Central Australia, she directed the Northern Territory Youth Film Festival and was integral to the Kunka Career Conference for Aboriginal Women, the Indigenous Music Awards, and music programs for Aboriginal youths. She is currently studying media and communications at Swinburne University in Melbourne.

    Serenade

    for a

    Small Family

    INGRID LAGUNA

    First published in 2010

    Copyright © Ingrid Laguna 2010

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.

    Allen & Unwin

    83 Alexander Street

    Crows Nest NSW 2065

    Australia

    Phone: (61 2) 8425 0100

    Fax: (61 2) 9906 2218

    Email: info@allenandunwin.com

    Web: www.allenandunwin.com

    Cataloguing-in-Publication details are available

    from the National Library of Australia

    www.librariesaustralia.nla.gov.au

    ISBN 978 1 74237 245 7

    Illustration and chapter detail by Madeleine Meyer

    Text design by Lisa White

    Set in 12/18 pt Bembo by Bookhouse, Sydney

    Printed and bound in Australia by Griffin Press

    10 9 8 7 6 5 4 3 2 1

    The paper in this book is FSC certified.

    FSC promotes environmentally responsible,

    socially beneficial and economically viable

    management of the world’s forests.

    These are my memories.

    Some names have been changed to protect the

    privacy of others.

    ‘We never know how high we are

    Till we are called to rise . . .’

    Emily Dickinson, 1830–1886

    Contents

    Part One

    1

    2

    3

    4

    5

    6

    7

    8

    9

    Part Two

    10

    11

    12

    13

    14

    15

    Epilogue

    Acknowledgements

    Part One

    1

    Mum, Benny and I were having dinner on yet another hot December night in Alice Springs when I felt a tightening squeeze around my abdomen and lower back, way too early in my pregnancy. My fork clinked as I half dropped it onto my plate.

    ‘I think I’ll go and sit on the couch for a minute.’

    Mum and Benny turned to me, and the candle flickered. I bit the corner of my lip until it stung.

    ‘What’s happening, Inky?’ asked Benny. ‘You okay?’

    The tightening was starting again. ‘Umm . . . not sure . . . actually I think I’m going to call the hospital.’

    Two rings and a woman answered. ‘It’s probably nothing,’ she said. ‘But best to come in and get it checked out.’

    While Benny drove, I lay along the back seat with my knees up and my hands splayed over my tightly pregnant belly. He was beside me when the obstetrician spoke: ‘I’m sorry . . . you’re two centimetres dilated.’

    Ben and I had been through hell to get me pregnant. I wailed long and loud from deep deep down, my eyes squeezed shut. Not this, not this.

    ‘Shhhh, Inky . . . Shhhh!’ Ben leant over me and turned my face towards his. ‘Inky . . . Inky!’ His tone was firm.

    ‘There’s still a chance but you have to stay calm . . .’

    I was given pills to delay labour, and I didn’t give birth that night. Contractions were further apart for a while, but by morning they were close together again.

    ‘Will the babies be alive when they are born?’ I asked the midwife.

    She looked into my eyes and for a couple of beats said nothing. ‘They will probably gasp for air and then they will stop breathing.’ They will stop breathing because they are coming out too soon, I thought, filled with panic. If they stayed in, they would not stop breathing. This is my fault.

    A social worker was sent in to talk to us. ‘Will we see the babies?’ I asked.

    ‘It’s up to you,’ she said. ‘Some people like to hold their babies and others don’t.’ I tried to picture them, but I didn’t know what they would look like. I should want to hold them but I don’t know.

    When the social worker left the room, Benny put his head and hand on my stomach and cried. I felt a ropey twisting in my chest.

    ‘We have had a taste of being parents only to have it taken away,’ he said. ‘I love you very much, my boys.’

    Our doctor was an Indian woman who swished around the cool, white hospital corridors in colourful saris. That night she stood by my bed in shimmering red and green. ‘At this gestation your babies are barely viable,’ she said. ‘Another twenty-four hours could mean they have a chance of survival.’ She adjusted the sari over her shoulder and pushed her glasses further up the bridge of her nose. ‘There is a hospital in Adelaide with an excellent neonatal intensive care unit,’ she said. ‘They will take you if you make it through to tomorrow morning . . . twenty-three weeks and one day.’ Another contraction gripped my lower body and I rolled onto my side with a groan. The doctor placed her warm hand on my hip.

    ‘There’s still some hope,’ she said.

    Here are two things I have learnt: with hope, we are able to endure far more than we can ever imagine, and having babies in the world is the all-time greatest heavenly delight. I’m telling this story because it’s the only way I can quite believe it myself. Because this was not the motherhood I had planned.

    Like most women, I’ve always been pretty confident I’d be a mum one day, and I assumed the role would come naturally to me. I saw my knotty-haired, knee-grazed children and me at beaches or camping or at markets, eating exotic food among racks of sarongs and baskets of strange fruits. I pictured dressing them like Mum dressed us kids—in bohemian knitted vests and beanies, suede miniskirts and boots. Their dad and I would throw them in the car to visit friends, or pour them out at Mum’s so we could go for wine and drawn-out Indian dinners. We would laugh out loud as they ran nude around the backyard, and take them on planes to Holland, Poland and Vietnam. They would fall asleep in our laps at parties, and chase each other around the table, eating toast with appelstroop at breakfast. My kids would not be fussy eaters or allergic to anything, or have hay fever or asthma. They would be bright and beautiful and I would be easy with them. So when Benny and I got together, I imagined all of this was on the cards.

    On the day we met, in March 2002, I was sitting outside my girlfriend’s house in a narrow, treeless street in Brunswick, Melbourne, waiting for her to come home. It was late afternoon on a muggy day and I was dying for one of the cold beers in my bag, but I didn’t have a bottle opener. A guy on an old black motorbike turned into the street and pulled up on the other side. When he took off his helmet, I saw he had thick, dark, curly hair. (‘Mooi haar ,’ Mum said later, which is Dutch for ‘nice hair’.) He crossed the road towards the house two doors down.

    ‘Excuse me!’ I called out. ‘I was just wondering if you have a bottle opener I could use?’

    As he passed the opener into my hand, he stood close enough for me to see his brown eyes and the dark stubble covering his jaw. There was an intensity about him. When my friend Nic came home, I suggested we invite him to join us. She agreed (she had already told me about ‘motorbike boy’ who lived two doors down) and courageously knocked on his door.

    ‘I’m making veggie burgers on the barbie,’ he said. ‘Do you want to bring your beers over here?’

    Moody acoustic music played as we walked through to his backyard; the familiar singer’s voice rose and fell in a melody I knew. I was impressed by the ambient lighting in the living room; only later did I learn that it was a choice based on energy efficiency rather than aesthetics.

    We sat around a card table laden with our dirty plates and beer bottles in his tiny concrete backyard late into the night. He told us he worked in renewable energy, and was keen to get involved in a program that was installing solar systems in small, remote Aboriginal communities in the Northern Territory. To me, he was gorgeous.

    As Nic and I walked down his corridor towards the front door, I stopped and turned to him.

    ‘I should give you my phone number,’ I said boldly, past the fluttering in my stomach.

    He finally called me the following Sunday, inviting me to go with him on his motorbike to the Mornington Peninsula.

    ‘Really? Wow! When did you want to leave?’ I asked.

    ‘In about . . . ah . . . twenty minutes?’

    ‘Right . . . umm . . .’ (As if I had to think about it.) ‘Okay!’

    I hung up the phone and yelled in the direction of my housemate’s room. ‘Shit! I’ve got twenty minutes! That guy Ben rang!’ Carrie watched from her bedroom window as he came up the path to the front door, then she turned to me and indicated with a thumbs-up that he was alright. He had brought me a leather jacket as well as a helmet that I was relieved to be able to squeeze over my size large Polish head. As we rode, I held onto Ben and sang in my helmet. That afternoon we swam in the ocean and walked along the rocks. At his dad’s beach house he made me Balinese fish curry with lemongrass, and we sat outside, talking, with a blanket wrapped around us. Later that night I pulled the plug from the kitchen sink of soapy water and flicked off the rubber gloves. (I can’t believe I did the dishes on our first date!) When I turned around, Ben kissed me, then manoeuvred me towards the couch with his mouth on mine, at the same time expertly, single-handedly, unhooking my bra.

    The Royal Flying Doctors flew Benny and me from Alice Springs to Adelaide on a tiny plane that buzzed like a lawnmower. Pethidine kept me woozy, and I lay on my side with my face close to the wall. Benny sat beside the pilot and reached back to stroke my hair. The young Sri Lankan registrar smiled politely in my direction, then looked back down at the folded hands in her lap.

    The midwife beside her was rough and friendly: ‘Hi, sweetie . . . can you let me know every time you feel a contraction starting?’ The pethidine felt good and took away some of the worry. There was another patient on the plane—sitting upright, sprouting wires and leads, with his back to me.

    ‘It’s a good thing you couldn’t see his face,’ Mum said later. ‘He didn’t look too good.’ Mum hardly ever cries, but she cried when I was slid on a stretcher into that plane to Adelaide.

    When we landed, the ambulance wasn’t there to take us to the hospital, so we waited in the hangar, and I kept having contractions in the cool outside air. I was relieved to have made the flight without giving birth, but I didn’t want to have the babies in an aeroplane hangar either. Finally, the ambulance arrived, and two men in green overalls and gumboots manoeuvred my stretcher into the back and drove us to the hospital.

    As I was ferried along a corridor, a wheel on my trolley bed scraped the floor amid the sound of feet shuffling. ‘Take her to the delivery suite . . . Room 12,’ someone said, which struck me as sounding luxurious. We turned into a starchy, odourless room. A small crowd of doctors, nurses and registrars followed, tripping over each other to deliver scary facts and statistics about premature babies to Benny and me. Bewildered, we looked from one to the next, until Benny tilted his head back and angrily punctuated the room: ‘Excuse me!’

    Heads turned towards him. ‘Could we all just move out into the corridor please!’ He herded them out and firmly reminded them how important it was for me to stay calm. ‘And only come in one at a time, if you have to come in at all !’

    Through the night and into the next day the contractions kept coming, only minutes apart. I was exhausted. Dad flew over from Sydney. He brought me books and a bag of ripe purple cherries. He and Benny sat beside my bed while we talked and ate the fruit. When a contraction came, we stopped talking. Benny rubbed my lower back and timed it. I blew out quick puffs of air to help me through the pain because I’d seen people do that on TV.

    ‘Knock knock?’ A man’s face appeared from behind the beige curtain by my bed.

    ‘Hi . . . come in.’

    I adjusted my pillows and sat up. Benny looked up from his newspaper. A labouring woman groaned somewhere on the ward, and the fug of potato and leek soup lingered from lunch. Two doctors—an obstetrician and a neonatologist— came in and said they needed to talk to us. They had likeable, intelligent faces.

    ‘We need to know how much you want us to intervene . . .’ said the neonatologist. ‘At this gestation—twenty-three and a half weeks—their chances are slim.’ We’re going to discuss this? Benny sat forward with his elbows on his knees and his hands clasped. ‘And of those who survive, there can be long-term health issues . . . sometimes disabilities.’ I swallowed. ‘Some people want us to do everything in our power for their babies. You need to be involved in this decision.’

    I recalled a conversation with a midwife earlier that day. ‘About fifty per cent of babies born at twenty-four weeks’ gestation survive,’ she had said, with a warning tone in her voice and a stark determination to kill any false hope. ‘Even then they may well have learning difficulties, or be deaf or vision-impaired. Sometimes there may be severe disability . . .’ I had suddenly badly wanted to lie down to hold onto my pregnancy. I will not deliver early, I had vowed. ‘Before twenty-four weeks . . .’ she had said. ‘Well . . . their chances are significantly less. Before then—the baby’s lungs are not yet fully developed.’

    Now Benny and I exchanged looks. I was lost for words— not exactly typical for me. Ben spoke up: ‘They have to have good quality of life,’ he said. ‘That’s the thing . . . quality of life.’ Benny—my rock. Calm and clear. The neonatologist looked down at his folder and nodded slowly.

    ‘Yes,’ I added, awkwardly. ‘A good life . . .’ What does intervention mean? I wondered. And how will these doctors interpret what we mean by quality of life?

    2

    Within three months of meeting Benny, I resigned from my puppet theatre job, rented out my Brunswick terrace, sold my car and couches, and was helping him finish work on his old Landcruiser truck. I was going with him to Alice Springs.

    Slipping into each other’s lives was effortless. Ben was handsome and serious. His decisions were carefully and sanely considered, and he took me more seriously than I took myself. He had the best truck, and the best bum in jeans. We were drawn to each other’s opposite qualities—his reserve and deliberation, and my more spontaneous, heart-on-sleeve ways. I made curtains for the truck from op shop fabric in fire-engine red and, at my request, Ben trawled wreckers’

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