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Our Lady of Darkness
Our Lady of Darkness
Our Lady of Darkness
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Our Lady of Darkness

Rating: 4 out of 5 stars

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A horror author is drawn into a mysterious curse in this World Fantasy Award–winning novel from the author of the Fafhrd and the Gray Mouser series.

Fritz Leiber may be best known as a fantasy writer, but he published widely and successfully in the horror and science fiction fields. His fiction won the Hugo, Nebula, Derleth, Gandalf, Lovecraft, and World Fantasy Awards, and he was honored with the Life Achievement Lovecraft Award and the Grand Master Nebula Award. One of his best novels is the classic dark fantasy Our Lady of Darkness, winner of the 1978 World Fantasy Award.
 
Our Lady of Darkness introduces San Francisco horror writer Franz Westen. While studying his beloved city through binoculars from his apartment window, he is astonished to see a mysterious figure waving at him from a hilltop two miles away. He walks to Corona Heights and looks back at his building to discover the figure waving at him from his apartment window—and to find himself caught in a century‑spanning curse that may have destroyed Clark Ashton Smith and Jack London. 
LanguageEnglish
Release dateApr 1, 2014
ISBN9781497616738
Our Lady of Darkness
Author

Fritz Leiber

Fritz Leiber (1910–1992) was the highly acclaimed author of numerous science fiction stories and novels, many of which were made into films. He is best known as creator of the classic Lankhmar fantasy series. Leiber has won many awards, including the coveted Hugo and Nebula, and was honored as a lifetime Grand Master by the Science Fiction Writers of America.

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Rating: 4.066666666666666 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Mixed feelings. Loved the idea, the references, and the first few horror moments. Hated the dirty old men characters and the ludicrous ending. The first half, before the introduction of Byers, is the best, but it's a short read that doesn't out-stay its welcome.
  • Rating: 3 out of 5 stars
    3/5
    "...to be a good story is to me the highest test of the truth of anything. I make no distinction whatever between reality and fantasy, or the objective and the subjective. All life and all awareness are ultimately one, including intensest pain and death itself. Not all the play need please us, and ends are never comforting. Some things fit together harmoniously and beautifully and startlingly with thrilling discords - those are true - and some do not, and those are merely bad art. Don't you see?" (p. 95)Fritz Leiber's Our Lady of Darkness follows the life of a horror author, Franz Westen. Franz is a recovering alcoholic who spent three years mourning the death of his wife in drink-induced oblivion and has only recently started to put his life back on track. He lives in an apartment in what was at one time an old hotel and is friends with several of the other residents - the young harpsichordist Calpurnia is his sometimes-lover, Saul is a nurse at a mental hospital and Gun is his possibly gay lover, to Franz's discomfort (although at the very end it is revealed that both Saul and Gun have girlfriends.) Anyway, Franz is interested in a weird old book called Megapolismancy an occult book on the magical energies of large cities, and the "paramental entities" that lurk there, written by a black magician named Thibaut de Castries. He also has a journal by a horror writer, Clark Ashton Smith, who knew de Castries. While investigating de Castries' mysterious life and work, Franz finds himself at the centre of the sorcerer's curse, haunted by a weird brown shape that he can see waving from his window while mountain climbing. Our Lady of Darkness is at its heart a loving celebration of the horror/fantasy genre, with numerous references to Clark Ashton Smith, H. P. Lovecraft, and others. It's beautifully written and intriguing. "The Scholar's Mistress" a collection of books Franz lines up on his wife's side of the bed to keep him company, that eventually comes to life, is an interesting and surprising monster. I also loved the continual questioning of "what is reality" posed first by the nurse, Saul, who has to deal with people who see things that "aren't there" and experience a totally different version of "reality" than other people all the time, and later by Franz, who finds himself questioning his own sanity when he starts believing in the "paramental entities" he's been reading about in the occult book. Interesting read.
  • Rating: 4 out of 5 stars
    4/5
    This is a difficult book to review, because it is so very much idea-centred, and your appreciation, or lack thereof, of it whill very much depend on whether you'll find this idea appealing or not. In short: it's a novel about the possiblity of the geography cities possesing a sort of inherent occult power, discussed through the inquries of a '70s horror auuthor into the life and work of a self-styled occultist living in San Francisco at the turn of the century. As a narrative it might be somewhat lacking, withj characters that, while not exaclt flat or bland, never really get the chance to expand, and events that might seem a bit random and inexplicable, but premise, and the "core" of the idea's presented is thoroughly fascinating, at least to me. Also, it's really creepy at places, which is always a plus.Objectively this might be a 2- or 3-star book, but to me it's worth more.
  • Rating: 2 out of 5 stars
    2/5
    Harlan Ellison named this one of his favorite books in a supplement to "The Week" magazine a few years back, which I recently rediscovered while cleaning up my shelves. So, I decided to read it and picked it up at a used book store. I tried to put myself in the right frame of mind to be absorbed in a supernatural atmosphere, but despite the breathless blurbs on the covers (maybe I need to smoke or drink whatever those reviewers were having), I just couldn't get into the spirit of it. In tone, this is like one of those fun-to-read Jack Finney novels, but it lacks a substantive core. Leiber is having a good time, obviously, as he tries to create something in the vein of H.P. Lovecraft, who is frequently referred to, or Clark Ashton Smith, who is sort of a character in the book, and he even has the protagonist mention one of Leiber's own short stories. This is the sort of intrusion, along with way too many references to other apparent favorite authors or stories of Leiber, that severely detracts from a believable aura of the supernatural.At the heart of the story is an evil book - though not quite in the league with the Necronomicon - that the protagonist has picked up along with a hand-written journal, presumably written by Clark Ashton Smith. It deals with the evil influence of massive buildings (to oversimplify it a bit), but Leiber fails to make the horror universal or something that I could feel personally threatened by (unlike, for instance, the Exorcist, with its potential for a devil taking someone over at any minute). The story sort of plods along as the lead character puts together the pieces of the puzzle, aided by his sort-of-girlfriend, who is a harpsichordist, a mysterious occultist whose house he visits, and a few others. Along the way, we do get an evocative picture of San Francisco. I'm sure this book has been pretty good for tourism, but as horror it fails to gel. The conclusion is more ridiculous than horrific, especially the way the lead character is rescued.The opening quotation from Thomas De Quincy is much better and more frightening than Leiber's 183 pages that follow.
  • Rating: 5 out of 5 stars
    5/5
    This novel features the culmination of Lieber's ideas about the supernatural, which he had previously explored in his short fiction since the 1940's. Here we find 1970's San Francisco vividly invoked. Leiber's logical yet absolutely unsettling theories about paramental entities and the strange geometries of "megapolisomancy" are a wonder. Especially memorable are the "writer's mistress", which makes for a most unique and scary monster, and the first appearance of thing on Corona Heights, which is simply chilling. One of the all-time great horror novels by a true master of the weird tale. Plausible and terrifying!

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Our Lady of Darkness - Fritz Leiber

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