The British Short Story - Volume 8 – Rudyard Kipling to Ernest Bramah
Written by Rudyard Kipling, H.G. Wells and Ernest Bramah
Narrated by Richard Mitchley and Ghizela Rowe
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About this audiobook
Here our ambitions are only of the literary kind. These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English.
Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet. And this is how we begin to differentiate our offering; both in scope, in breadth and in depth. These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties.
Way back when it was almost immoral that a woman should write. A few pages of verse might be tolerated but anything else brought ridicule and shame. That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’. Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands. Here we include George Eliot and other examples.
We add further depth with many stories by authors who were famed and fawned over in their day. Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain.
Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes. Was this bound to happen or did a growing population that could read begin to influence rather than just accept?
Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page. An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form. Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy.
Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles. From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache. If you can imagine it an author probably wrote it.
At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.
Rudyard Kipling
Rudyard Kipling (1865-1936) was an English author and poet who began writing in India and shortly found his work celebrated in England. An extravagantly popular, but critically polarizing, figure even in his own lifetime, the author wrote several books for adults and children that have become classics, Kim, The Jungle Book, Just So Stories, Captains Courageous and others. Although taken to task by some critics for his frequently imperialistic stance, the author’s best work rises above his era’s politics. Kipling refused offers of both knighthood and the position of Poet Laureate, but was the first English author to receive the Nobel prize.
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