The Ring and the Book

Written by Robert Browning

Narrated by LibriVox Community

"Better translate--"A Roman murder-case:
"Position of the entire criminal cause
"Of Guido Franceschini, nobleman,
"With certain Four the cutthroats in his pay,
"Tried, all five, and found guilty and put to death
"By heading or hanging as befitted ranks,
"At Rome on February Twenty-Two,
"Since our salvation Sixteen Ninety Eight:
"Wherein it is disputed if, and when,
"Husbands may kill adulterous wives, yet 'scape
'The customary forfeit.'"
(Excerpt from first chapter of The Ring and the Book.)

Note from reader: The main text I have read from follows the first edition; but there are some words or lines that do not make sense, either through copying mistakes or because they are difficult if not impossible to make sense of in the first edition. In such cases, I have relied upon an alternate text, found at archive.org and also in the public domain, that contains the wording of the later editions. --Tony Oliva

• Language: English
• Publisher: LibriVox
• Release date: Aug 25, 2014

Robert Browning

Robert Browning (1812-1889) was an English poet and playwright. Browning was born in London to an abolitionist family with extensive literary and musical interests. He developed a skill for poetry as a teenager, while also learning French, Greek, Latin, and Italian. Browning found early success with the publication of Pauline (1833) and Paracelsus (1835), but his career and notoriety lapsed over the next two decades, resurfacing with his collection Men and Women (1855) and reaching its height with the 1869 publication of his epic poem The Ring and the Book. Browning married the Romantic poet Elizabeth Barrett in 1846 and lived with her in Italy until her death in 1861. In his remaining years, with his reputation established and the best of his work behind him, Browning compiled and published his wife’s final poems, wrote a series of moderately acclaimed long poems, and traveled across Europe. Browning is remembered as a master of the dramatic monologue and a defining figure in Victorian English poetry.