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The Odyssey
The Odyssey
The Odyssey
Audiobook12 hours

The Odyssey

Written by Homer

Narrated by Anton Lesser

Rating: 4.5 out of 5 stars

4.5/5

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About this audiobook

The Trojan War is over and Odysseus, the cunning King of Ithaca, sets out for home, his wife Penelope and his son Telemachus. It proves a long, 10-year journey, fraught with dangers, from Polyphemus, the one-eyed Cyclops, and the seductive Sirens, to the love of Calypso on her all-too-comfortable isle. When he arrives in Ithaca, he has to contend with a group of suitors who have been pressing his wife to forget about her husband, admit she is a widow, and marry one of them. Anton Lesser, one of Britain’s finest audiobook stars, brings this great classic to life in the new and imaginative translation by Ian Johnston.
LanguageEnglish
Release dateMay 1, 2007
ISBN9789629546601
Author

Homer

Although recognized as one of the greatest ancient Greek poets, the life and figure of Homer remains shrouded in mystery. Credited with the authorship of the epic poems Iliad and Odyssey, Homer, if he existed, is believed to have lived during the ninth century BC, and has been identified variously as a Babylonian, an Ithacan, or an Ionian. Regardless of his citizenship, Homer’s poems and speeches played a key role in shaping Greek culture, and Homeric studies remains one of the oldest continuous areas of scholarship, reaching from antiquity through to modern times.

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Reviews for The Odyssey

Rating: 4.298342541436464 out of 5 stars
4.5/5

181 ratings140 reviews

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  • Rating: 5 out of 5 stars
    5/5
    Very enjoyable. I also loved listening on a Playaway, because, as my friends know, being able to read a book and knit, or fold clothes, or sew, or work in the yard is just bliss.If you haven't read this since high school or college, give it a whirl. It's worth the time. I think listening would be much easier given the style.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    A re-read of classic literature. In this sequel to the Iliad, Homer continues with the adventures of Odysseus in the Odyssey. Maybe it was the 4 years of Latin I took in high school but this never gets old.
  • Rating: 5 out of 5 stars
    5/5
    I won't say too much about the actual story. Everyone already knows that stuff from freshman English and general knowledge of myths and literary tropes. It has monsters and heroes and true love and coming of age and an awesome scene with a trick arrow shot and 3 guys against the world. Give it a try if you haven't looked at it since you were 15.

    I'm not sure I had ever read the whole Odyssey before. In any case, I now have heard the whole thing performed by Ian McKellen. I suppose Homer on audio book is about as close as I'll get to the original, unless someone can point me to someone who does the audio book in ancient Greek... McKellen's narration was great, but I bought the book to listen to while driving, and it put me to sleep. The story was really quite exciting, even if it did drag on a little when Odysseus was planning his suitor revenge. I guess we skipped that part in 9th grade English. But Gandalf's voice seemed to be more suited for bedtime stories than distracting me from traffic jams. I know what I'll be listening to when I can't get to sleep though.

    The translation, by Robert Fagles, was excellent. There were some places where I was like "that seems really colloquial" but then I was glad because it really was easy to understand. I would use this translation if I ever needed to read Homer for some reason.
  • Rating: 5 out of 5 stars
    5/5
    One of the single greatest books, EVER. Written.!!! !!! !!!

    #paganism_101
  • Rating: 5 out of 5 stars
    5/5
    The Odyssey is well worth reading not only to experience a story that has so heavily influenced Western literature, but also because, as appalling of a hero as Odysseus may be, it's a fun story. In all its extravagance, it set the standard for epic adventures.I cannot recommend Emily Wilson's translation enough. It is beautiful and fluid. She maintains a poetic rhythm yet the language is modern and clear. It's worth the extra time to read it out loud so you can truly savor the language for both its flow and the way it captures the sentiments of the characters.For those with several Odysseys under their belt, I would still recommend this version, if for no other reason than to read her introduction. Her analysis of the story is brilliant.
  • Rating: 4 out of 5 stars
    4/5
    Opmerkelijke, niet-chronologische structuur. Ook minder tragedisch-heroïsch dan Ilias, meer accent op waarden trouw, vriendeschap. Verschuiving tav Ilias: mensheld speelt hier de hoofdrol; Odysseus doorspartelt alle gevaren dankzij zijn formidabele karakter (groot hart, eerlijk maar ook vurig en wreedaardig), een man voor alle tijden; doorslaggevend: hij gelooft in eigen kunnen. Ook intelligent-listig (soms web van leugens), daarom in de Oudheid eerder als negatieve figuur gezien (corrupt en leugenachtig), pas met Renaissance gerehabiliteerd.Maar Odysseus is wel de enige onbesproken held, alle anderen (inclusief Telemachos en Penelope) worden in een dubieus daglicht gesteld. Tav Ilias komen vrouwen meer op voorgrond (maar niet altijd positief).Geen mythe, maar wel heldenverhaal, epos. De hoofdlijn is grondig vermengd met andere verhalen (dat van de cycloop is bij andere volkeren in 125 versies te vinden). Het centraal thema is de queeste, de zoektocht naar wat verloren is gegaan (vergelijking met Gilgamesj mogelijk: bezoek aan onderwereld, nihilistische visie op dood).
  • Rating: 4 out of 5 stars
    4/5
    815 The Odyssey: The Story of Ulysses, by Homer translated by W. H. D. Rouse (read 13 Aug 1965) Frankly, I read this because I figured everybody should have read this. I read it right after reading the Iliad. Over the years I had read parts of this, but I have no specific memory of being overly moved in the reading. Nor can I make any meaningful comment on the merit of the translation. This translation was published first in 1938
  • Rating: 5 out of 5 stars
    5/5
    Can't go wrong with the Odyssey. I've probably read this ten times by now, it never gets old and I always find new things I missed before.
  • Rating: 4 out of 5 stars
    4/5
    Great story, but can be a bit hard to read. Some of the phrases used in this translation are a bit weird- I suppose they were chosen to fit the rhythm, but it doesn't really fit. However, it is a very readable translation and the story is, of course, excellent.
  • Rating: 5 out of 5 stars
    5/5
    This is an amazing book, and one of the easiest classical Greek reads I've discovered.
  • Rating: 3 out of 5 stars
    3/5
    A thoroughly enjoyable, entertaining book..there is drama, action, romance, mythical creatures, magic, gods and goddesses, and many more. Its not just for those who love classics but should be read by everyone. Its worth the time and one gets to understand why people love the work of Homer so much
  • Rating: 3 out of 5 stars
    3/5
    This was a book I decided to tackle with audiobook and I thought it came across better listening to a narrator. Will give the Iliad go to.
  • Rating: 5 out of 5 stars
    5/5
    a wonderful New translation in meter, so it flows and reads like a song without overly flowery verse, and deep insight into what the Greek poets meant without distortion of a later morality and cultural lens. a joy to read.
  • Rating: 5 out of 5 stars
    5/5
    Everything classic Greek literature should be.
  • Rating: 4 out of 5 stars
    4/5
    There are certainly some great episodes in the Odyssey, but after the incredible intensity of the Iliad, I found it somewhat tedious, and it took me a long time to finish. I liked Lombardo's translation of the Iliad very much, so I assume the fault is not his.
  • Rating: 4 out of 5 stars
    4/5
    This feels like a book that needs two distinct reviews.

    First, Emily Wilson's translation, which is wonderful. Just as Heaney moved Beowulf from "worthy work" to a fun read, Wilson's made The Odyssey eminently readable, while keeping it a formally structured long poem and apparently sticking scrupulously to the pacing of the original Greek. I had started reading other translations of this work but never actually finished them, so I'm delighted that this one now exists. And the maps, introduction, footnotes and dramatis personae all helped me follow a work that's heavy on reference and allusion.

    But I have to say I didn't get on very well with the content. Some of it is delightful, from learning that Greeks have appreciated wine, olive oil and the sea for longer than much of the world's had written records, to all the descriptions that weren't about Odysseus himself. But there's a degree of repetitiveness to the language that grated--Wilson's introduction explains why it was so in a work written to be performed but it still took away from my experience of reading this as written text--a few too many passages that consist of just listing characters from other Greek myths to the point that they felt like the Torah's "begats", and by the end I found the character of Odysseus dislikable enough to not care about his fortunes.

    I'm still glad to have read this. I didn't get anywhere near the exposure to Greek mythology that US schools seem to give, so much of the story was either new to me or connected dots that I'd picked up scattershot from English literature referencing them. And I have to say that I'm re-reading the Torah this year, which seems to be of approximately the same age, and found The Odyssey so much more sophisticated and compelling as a work of literature. But I can't exactly say that I _like_ this story.
  • Rating: 3 out of 5 stars
    3/5
    Once I got past the "dated" prose it was very interesting. Though it was read through English1H, it wasn't hard to get through; it went generally fast. Besides having to memorize all 958 characters for tests and quizzes, it was a good read. It's hard to believe this 300 page novel was read by memory at parties to the tune of a harp.
  • Rating: 4 out of 5 stars
    4/5
    I have only ever read a junior version of The Odyssey (in fourth grade) but am familiar with the story and the characters. I was inspired to read it now after finishing Madeline Miller's Circe. This version of the story is told in paragraphs, not verses, which probably worked better for me. The language is still in convoluted form and I had to pay close attention and reread some sentences to get them straight.
  • Rating: 4 out of 5 stars
    4/5
    Easy to read translation, the text itself does not take that long to read. The intro is full of good info but is a slog. I read this for weeks 1-4 of the coursera class Greek and Roman Mythology, which is why it took me so long to get through. The course is great, and I am gad to have read this complete poem—I believe I read a huge excerpt in a high school English class (eons ago).It is a little weird to finally read something you actually know a lot about.
  • Rating: 5 out of 5 stars
    5/5
    The greatest of all ancient Greek works is spellbinding. Fagles' prose is lean and muscular, giving a grit and immediacy to his adventures. Loved it when I read it in high school, love it still today. As relevant today as it was nealy 3000 years ago.
  • Rating: 5 out of 5 stars
    5/5
    Emily Wilson's translation of The Odyssey is my third; I read Robert Fagles' and Stanley Lombardo's before this. You can't go wrong with any of them - Fagles' is lyrical but modern, Lombardo's is admirably plain-speaking and fast-paced, and Wilson's is swift, smart and exciting. But Wilson's is my favorite now, and the one I'd recommend to someone dipping in for the first time.Caroline convinced me to read Wilson's introduction, and I'm glad I did. It's a corker. She explains The Odyssey this way:"We encounter a surprising range of different characters and types of incident: giants and beggars, arrogant young men and vulnerable old slaves, a princess who does laundry and a dead warrior who misses the sunshine, gods, goddesses, and ghosts, brave deeds, love affairs, spells, dreams, songs, and stories. Odysseus himself seems to contain multitudes: he is a migrant, a pirate, a carpenter, a king, an athlete, a beggar, a husband, a lover, a father, a son, a fighter, a liar, a leader, and a thief. He is a man who cries, takes naps, and feels homesick, but he is also a man who has a special relationship with the goddess who transforms his appearance at will and ensures that his schemes succeed."As she says, this isn't the usual hero who saves the world or "at least changes it in some momentous way"; instead, "for this hero, mere survival is the most amazing feat of all". The story raises"important questions about the moral qualities of this liar, pirate, colonizer, deceiver, and thief, who is so often in disguise, absent or napping, while other people - those he owns, those he leads- suffer and die, and who directly kills so many people."This complexity is what continues to fascinate me, and has led me through three translations and re-reads.What is so outstanding about this translation?"The Odyssey is a poem, and it needs to have a predictable and distinctive rhythm that can be easily heard when the text is read out loud. The original is in six-footed lines (dactylic hexameters), the conventional meter for archaic Greek narrative verse. I used iambic pentameter, because it is the conventional meter for regular English narrative verse - the rhythm of Chaucer, Shakespeare, Milton, Byron, Keats, and plenty of more recent anglophone poets . . . my translation sings to its own regular and distinctive beat.My version is the same length as the original, with exactly the same number of lines. I chose to write within this difficult constraint because any translation without such limitations will tend to be longer than the original, and I wanted a narrative pace that could match its stride and Homer's nimble gallop."I can't speak to the original, but hers certainly has stride and nimble gallop. She also leans toward simplicity of language, "in a style that echoes the rhythms and phrasing of contemporary anglophone speech." She notes that "stylistic pomposity is entirely un-Homeric". Occasionally (rarely, really) this results in what to me is an odd word choice, e.g. carrying weapons in a "hamper" - really? But overall it succeeds beautifully.Some examples:At a light touch of whip, the horses flew,Swiftly they drew toward their journeys' end,on through fields of wheat, until the sunbegan to set and shadows filled the streets.Helen, on the events in Troy:The Trojan women keened in grief, but Iwas glad - by then I wanted to go home.I wished that Aphrodite had not made mego crazy, when she took me from my country,and made me leave my daughter and the bedI shared with my fine, handsome, clever husband.Circe confronting Odysseus:"Who are you?Where is your city? And who are your parents?I am amazed that you could drink my potionand yet not be bewitched. No other manhas drunk it and withstood the magic charm.But you are different. Your mind is notenchanted. You must be Odysseus,the man who can adapt to anything."Odysseus and Athena are natural partners. As she says,"To outwit youin all your tricks, a person or a godwould need to be an expert at deceit.You clever rascal! So duplicitous,so talented at lying! You love fictionand tricks so deeply, you refuse to stopeven in your own land. Yes, both of usare smart. No man can plan and talk like you,and I am known among the gods for insightand craftiness."He is such a liar! And it's so deeply engrained that he lies even when he doesn't need to. But his lies always carry a greater message: "His lies were like the truth/ and as she listened, she began to weep."If you haven't read The Odyssey before, you probably know the basics of the story by osmosis. But that's nothing like experiencing this ancient yet so modern story. Emily Wilson has brought an intelligence, rhythm and excitement to it that to me is the best yet. Have some fun reading an old classic; it's a treat.
  • Rating: 5 out of 5 stars
    5/5
    Rereading this I can't believe I once found Homer boring. In my defense, I was a callow teen, and having a book assigned in school often tends to perversely make you hate it. But then I had a "Keats conversion experience." Keats famously wrote a poem in tribute to a translation of Homer by Chapman who, Keats wrote, opened to him "realms of gold." My Chapman was Fitzgerald, although in this reread I tried the Fagles translation and really enjoyed it. Obviously, the translation is key if you're not reading in the original Greek, and I recommend looking at several side by side to see which one best suits. A friend of mine who is a classicist says she prefers the Illiad--that she thinks it the more mature book. I love the Illiad, but I'd give Odyssey a slight edge. Even just reading general Greek mythology, Odysseus was always a favorite, because unlike figures such as Achilles or Heracles he succeeded on his wits, not muscle. It's true, on this reread, especially in contrast to say the Illiad's Hector, I do see Odysseus' dark side. The man is a pirate and at times rash, hot-tempered, even vicious. But I do feel for his pining for home and The Odyssey is filled with such a wealth of incident--the Cyclops, Circe, Scylla and Charybdis, the Sirens--and especially Hades, the forerunner of Dante's Hell. And though my friend is right that the misogynist ancient Greek culture isn't where you go for strong heroines, I love Penelope; described as the "matchless queen of cunning," she's a worthy match for the crafty Odysseus. The series of recognition scenes on Ithaca are especially moving and memorable--I think my favorite and the most poignant being that of Odysseus' dog Argos. An epic poem about 2,700 years old, in the right translation it can nevertheless speak to me more eloquently than many a contemporary novel.
  • Rating: 5 out of 5 stars
    5/5
    Arguably the most influential book in western civilization after the Bible. In a new verse translation directly from the greek by Frederico Lourenço, a scholar at the University of Lisbon, this is an exceptionally beautiful rendition of an exquisite all-time classic. Absolutely impossible to put down once started.
  • Rating: 5 out of 5 stars
    5/5
    Experienced an unplanned event while traveling? Or feel like you are living through an epic of misfortune that will not end? Or just having a really bad day? If you answered yes to any of these questions then rush to your shelves and re-read a chapter of Odysseus’ travails on his way home. [Pause for you to finish reading chapter]. OK, deep breath, now your problems don’t seem so bad, do they? Recommended for all adventurers who need more perspective.
  • Rating: 5 out of 5 stars
    5/5
    I read the Robert Fagles translation, which was fairly easy to navigate, and enjoyable to read. It was a wonderful story, all about making choices, understanding consequences, and accepting them. It was also about being brave in the face of adversity.Odysseus is an appealing character: Strong, smart and cunning, and able to rise above his apparent punishment by the gods to redeem his condition.
  • Rating: 5 out of 5 stars
    5/5
    What a glorious story and a thoroughly enjoyable translation. My only quibble with the translation is using the term 'Greeks' instead of Hellenes (as the 'Greeks' called themselves) since in all otherand sometimes very compex names she kept to the original, e.g. Odysseus instead of Ulysses. Have to say that the final page was a bit disappointing, the story just ended quite abruptly without the intensity and build up of the other adventures. That aside, this 3000 + year old story was superb on so many levels, beautiful poetic language and description, an exciting adventure story, iconic moments like with Odysseus' dog, insights into very ancient societies' mores and values --thoroughly misogynistic by the way. From the various inconsistencies and differences in style -- like the final scene -- I think it is pretty obvious that there was not just one narrator (Homer), but various retellings in the oral tradition. Actually, while I ostensibly 'read' this book, I was more or less 'hearing' the story, reading the poetry slowly and aloud in my head. This book was a great experience.
  • Rating: 5 out of 5 stars
    5/5
    I humbly declare this book to be the greatest literary work of mankind. If you don't learn Greek (worth it just to read this Meisterwerk, never mind the rest of the immortal trove of Greek literature) you can read it in so many translations that have become classics in their own use of the English language, Fagles and Murray, just to mention two. Oh, what the Hades, let's throw in a third, not just for its brilliant translation, but also owing to the exotic character behind it: no less than Lawrence of Arabia. The Homeric poems were sung in a less-enlightened time, in comparison with the later Greek tragedies, and with the later epics too. Apollonius' Argonautica was composed, post Greek Tragedy, and his audience would have been, no doubt, familiar with Euripides' Medea. Questions such as how justice and revenge affect societies were addressed by Aeschylus in the Oresteia; likewise, the reception of the anthropomorphic gods, and their pettiness, was raised by Euripides in Hippolytus and the Bacchae. Furthermore, the real nature and brutality of warfare was also raised in the Trojan Women. Throw in how one state views another state, and questions of racial identity, and you have The Persians by Aeschylus, and Medea by Euripides. Additionally, if you include Philoctetes by Sophocles, and the issue of how youth should conduct themselves is also raised. If you consider, too, Ajax by Sophocles, and you find that the bloodthirsty myths of an earlier age are filtered through questions that C5 Athenian society faced. What is better, the brute force of an unsophisticated Ajax, or the sophistry and rhetorical arguments of Odysseus in Ajax? By the time we arrive at Virgil, and The Aenied, brutal events such as the death of Priam by Neoptolemus in Aeneid Book II, are tempered with a more enlightened approach. Neoptolemus is condemned for killing Priam, and rightly so, as mercy is important, and exemplifies the Romanitas of 'Sparing the humble, and conquering the proud'. However, Aeneas doesn't show mercy in his killing of Turnus at the end of Book XII. If you're into Greek Literature, read the rest of this review on my blog.
  • Rating: 4 out of 5 stars
    4/5
    One of the great works of classical antiquity. A rousing good story of a hero's struggle to return home from war and of a wife's determination to remain faithful. Also, as pointed out by William Bridges, Odysseus's return provides an excellent metaphor for life transition. I read the translation by Richard Lattimore, which is supposed to be one of the best. I can't comment on that except to say I found it quite readable. His introductory notes (Harper Perennial Classics edition) are thorough and most helpful. If you decide to read it, I recommend first learning a smattering of classical mythology and of the historical and cultural context.
  • Rating: 4 out of 5 stars
    4/5
    Good fun to read, the end in this translation though seems to descend into rambling nonsense. A lot of it didn't really seem to make much sense, but the poetry of it carries you away so you don't really care anyway. I'd say this was a lot easier to read than say, Dickens, or somebody, for those who think they might be put off by the language/age of the text.
  • Rating: 4 out of 5 stars
    4/5
    I got E.V. Rieu's prose translation because I wanted to absorb the story as easily as possible. Perhaps a verse translation would have been easy too, and perhaps I missed out on certain things by going for this version, but in any event, it did the job very well indeed; easy to read, gripping and with flashes of humour (some of it probably unintentional, but that doesn't matter much).