WHEN finally returns to circulation in June on Disney+, director Michael Lindsay-Hogg is eager to see how his long-lost Beatles film is received by a contemporary audience. Originally released in May 1970, it became what he describes as “collateral damage” in the band’s break-up. The reissue arrives in very different circumstances, after, which was created using Lindsay-Hogg’s original footage. It’s a climate that he hopes will allow people to see in a new light.
