t the heart of the performing arts is often the written word – be it an adapted novel or original play script – so it is imperative to encourage and
EDITOR’S LETTER
Theatre Review
Their four-hander take on The Canterbury Tales is cheerful and richly funny. It gives us modern versions of the characters (James Camp’s Pardoner has morphed, rather wonderfully, into an estuary speaking estate agent and Georgia Leila Stoller’s Mille
