IN 1972, WHEN ANA TORRENT was six years old, a man came to her school and asked her to be in his film. “He had a beard,” she recalls now, from her home in Madrid. “And I told him I didn’t like men with beards.” The director said his film was about Frankenstein’s monster and asked if she was familiar with that character. “I replied, ‘I’ve heard about him but I haven’t yet been introduced.’ That’s when he thought, ‘She’s the one.’”
The director was Víctor Erice and the film was The Spirit of the Beehive. Made at the end of the Franco regime but set in 1940, in a Castilian village scarred by the recent Spanish civil war, it concerns two sisters whose imaginations are stimulated by seeing James Whale’s 1931 film Frankenstein at a travelling cinema. Torrent’s performance as the
