The Critic Magazine

Norman Lebrecht on Music

SEIJI OZAWA WAS THE FIRST OF his kind and, in many respects, the last. No conductor from China or Japan ever commanded world orchestras before him, and none has since matched his impact. After entry jobs in Toronto and San Francisco, Ozawa was music director in Boston for just under three decades. When he left in 2002, the Vienna State Opera made him music director.

Although his opera repertoire was as limited as his German conversation, Ozawa added a much-needed dynamism. In an era of peacock conductors, Ozawa brought an unfeigned and impenetrable exoticism.

Not for

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine11 min read
The new Ottomans
IN NOVEMBER 1920, THE RUSSIAN FUTURIST ILIA Zdanevich steamed down the Bosporus past a number of Russian warships moored at Istanbul. The initial awe he felt at witnessing the great moment when the Russian navy reached what Napoleon Bonaparte had cal
The Critic Magazine4 min read
The Final Lap
THE SAN MARINO GRAND PRIX, 1994. THIRTY years ago this May Day. AYRTON SENNA sits on the start line and removes his helmet, which he never usually does. “The helmet hides feelings which cannot be understood,” he once said. Today, he doesn’t bother to
The Critic Magazine3 min read
Put The Money Back Into Politics
IT’S AN ELECTION YEAR, so political finance is back in the headlines. We have had the tawdry tale of Yorkshireman Frank Hester, the £10 million Conservative donor who said Diane Abbot makes you “want to hate all black women”. Then there was the hulla

Related Books & Audiobooks