“The trees full of new leaves offering green tears to the earth”
Spell Blanket: Collected Demos 2006–2009
WARP
BROADCAST always attracted plenty of speculation and intrigue when they were active, but since the death of singer Trish Keenan at the age of 42 in January 2011, the band’s enigma – and reputation – has only grown. Eleven years after their final album – an eccentric soundtrack to Peter Strickland’s Berberian Sound Studio, completed by remaining member James Cargill – Broadcast are more popular than ever. Their 750,000 monthly listeners on Spotify hammer the Birmingham group’s first three long-players – The Noise Made By People, Haha Sound and Tender Buttons – which Warp have kept repressing since 2015 to meet demand. Walk into any coffee shop in Brooklyn, anecdotal evidence suggests, and there’s an 85 per cent chance they’ll be playing Broadcast.
There’s a sense today that Broadcast were on the cusp of further greatness at the timeof a tour of Australia. By that point, Broadcast had become the kind of cult act they once looked up to in the mid-’90s – radical psych explorers like The United States Of America or White Noise – peddling esoteric sound collages drawn from a very British palette of trippy Hammer films, the smoke and mirrors FX of the BBC Radiophonic Workshop and the sinister air of arcane 1970s kids’ TV shows like and that, looking back, seemed entirely unsuitable for the intended audience.
