NPR

Kim Gordon on her intense, disorienting, beat-driven new solo album, 'The Collective'

The artist's radically inventive new album produced with Justin Raisen plays like an apt distillation of what it's like to live right now.
Listening to Kim Gordon's new album <em>The Collective </em>uncannily bottles up the feeling of being on the Internet, trying to discern what's real and what's not.

Kim Gordon has said that she doesn't view herself as a musician. Rather, Gordon sees herself more as an artist who makes music. This singularly iconoclastic approach to music-making has guided the way Gordon, who is also a painter, has forged conceptually inventive music for four decades and counting: Her attention to negative space and phrasing shimmer through the no-wave jams she created with her former band Sonic Youth from the late 1980s until the early 2010s, and her textured guitar playing lends the improvisational two-piece she performs in with Bill Nace, Body/Head, an experimental edge.

Gordon's thrilling new solo music draws from a similar visual ethos, too. When asked about the songs on her forthcoming album, her second solo effort , Gordon says she thinks of them as "little movies." But in a plot twist, one of those short films has short-circuited the internet as of late. Released in January, the single "BYE BYE" took on a life of its own on TikTok, with Gordon's menacing vocals, rattling

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