Aperture

Nakeya Brown

Nakeya Brown began making still lifes in 2012, after her baby was born. Motherhood changed Brown’s relationship to time, forcing her to fit a practice into fragmented days and corners of her home. In arranging the Afro pick in (2022) or the eucalyptus stem in (2020), Brown wrestled with her thoughts and stalled time. Staging

You’re reading a preview, subscribe to read more.

More from Aperture

Aperture4 min read
The “Good” Change
A gray-haired woman looks upward intently, her gaze fixed, head tilted back, and face mask lowered to amplify her shout—a picture of defiance. Taken by the Polish artist and photojournalist Agata Szymanska-Medina, it’s among the striking portraits in
Aperture4 min read
Descendants
Recently, moving to New York from Miami, after living there for over two decades, with each box I packed I wrestled with what to let go and what to keep. There was no hesitation about the family photo-albums, many of which I’d inherited from my mothe
Aperture3 min read
Searching for Cayenne
Like the writers Frantz Fanon, Aimé Césaire, and Édouard Glissant before her, Cédrine Scheidig is, to borrow the words of Glissant’s American translator, a distinguished theorist of “Caribbean self-formation.” Born in 1994 in the Seine-Saint-Denis su

Related Books & Audiobooks