UNCUT

HELDON

Électronique Guérilla (reissue, 1974) BUREAU B

8/10

HIS name may not resonate as widely as those of Germany’s kosmische luminaries, but Richard Pinhas is now acknowledged as a significant player on the European electronic-rock scene of the 1970s, through both his solo work and with his band, Heldon. Named after the republic in Norman Spinrad’s bizarre, science fantasy/metafiction work , the group have always been essentially a solo project with changing guest lists. Between 1974–’79 they released eight albums, before Pinhas was plunged deep into depression in 1983 and all but disappeared for a decade. However, 1992 marked the start

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