here is something of the uncanny when you look upon a Sarah Choo Jing artwork. Her worlds are dark, urban, and lit up only by neon and fluorescent lights—think her 2021 piece , depicting a ghostly Lau Pa Sat during the pandemic. Her works may feature one character, such as the solitary personas brooding in hotel rooms in her 2018 artwork series , or many, as in her 2013 multimedia installation . But there is always the sense that the viewer is pulling back the curtains on their private worlds, often lined with
