Guardian Weekly

A master’s profound coda

GAMING

Sonic races back to the future

Page 54

TODD ECKERT IS EXPLAINING, in circuitous yet joyous fashion, how he first fell in love with the work of the Japanese composer Ryuichi Sakamoto. It’s a conversation that meanders through Eckert’s teenage visit to Preston in northern England, his years as a punk rock kid in Houston, Texas, and his time producing the 2007 Joy Division film Control – yet ultimately always returns to Sakamoto’s astonishing songcraft.

“Merry Christmas, Mr Lawrence was not the first thing of his that I had heard – it may have been Left Handed Dream – but it was the first thing that I totally understood,” he says, sitting outside a Brooklyn cafe in bright yellow trainers.

Over the past few years, Eckert has spent a great deal of

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