f the Powerhouse Museum’s exhibition is anything to go by, drawing is a domain to which we still look for connection with the long continuum of human ingenuity. “Drawings” the exhibition notes state, “are an integral part of the creative process for humankind,” and with 230 drawings from the Powerhouse vaults, Senior Curator Katie Dyer presents an exhibition that shifts our focus from drawings executed by artists—just a handful—to an abundance of works from the applied
