Los Angeles Times

Review: Bah, humbug! 'The Holdovers' is a clunky, phony white-elephant gift of a movie

From left, Dominic Sessa, Paul Giamatti and Da’ Vine Joy Randolph in "The Holdovers."

Paul Hunham, the eloquent, embittered human wreck played by Paul Giamatti in Alexander Payne's "The Holdovers," is a man of many wretched ailments. He suffers from aches, hemorrhoids, lazy eye and trimethylaminuria, a rare genetic condition that causes him to reek of fish. He counteracts this problem, at least inadvertently, by drinking and smoking to excess; surely there's no odor that whiskey and pipe tobacco can't partly conceal. Asked about his single worst affliction, though, Paul might point to his young history students at Barton Academy, a New England prep school whose commitment to tradition, discipline and academic rigor he has devoted his life to upholding.

And a good thing too, since in Paul's own estimation, Barton boys are, with rare exception, a hopeless bunch of "philistines," "reprobates," "troglodytes," "degenerates," "hormonal vulgarians," "fetid layabouts" and "snarling Visigoths." That last jab speaks to Paul's deep knowledge of ancient civilizations, a field of

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