Guitar Player

MATTEO MANCUSO IS LIGHT YEARS AHEAD OF US ALL

It was just before the pandemic hit in 2020 that I happened upon a YouTube video by an Italian funk-fusion trio named the Snips.

The initial hook for me was the fact that they were playing “The Chicken,” the funky Pee Wee Ellis tune that Jaco Pastorius had adopted as a set opener for his Word of Mouth big band in the early ’80s. As Jaco’s biographer, I was naturally curious about their version. These were three young guys, just 19 or 20 years old at the time they first posted this audacious video in 2017. Jacked on adrenaline and youthful enthusiasm, they burned through the funk vehicle at an absolutely blistering pace (that video to date has garnered an awesome 2.4 million views on YouTube). The rhythm tandem of bassist Riccardo Olivia and drummer Salvatore Lima was impeccably tight, but what really stood out for me was the guitarist, Matteo Mancuso, who executed the incendiary lines and mind-boggling solo that followed, sans pick, with a kind of nonchalance that was totally disarming. And while his fingerstyle approach immediately recalled such other players who eschewed the pick — Mick Goodrick, John Abercrombie, Lenny Breau, Phil deGruy, and of course the whole lineage of classical and flamenco players who historically have navigated imposing lines with a strictly fingerstyle approach — this was something else entirely.

Other YouTube videos followed by this precocious trio, including uncannily exacting renditions of chops-busting vehicles like Allan Holdsworth’s “Fred” (which has gotten 370,000 views to date), Chick Corea’s “Spain” (915,000 views), Tribal Tech’s “Face First” (113,000) and UZEB’s “Penny Arcade” (365,000), as well as Matteo’s at-home practice videos of him blazing through John Coltrane’s “Giant Steps” (255,000), Charlie Parker’s “Donna Lee” (648,000) and the age-old jazz jamming vehicle “Cherokee” (272,000), each one containing more jaw-dropping feats of fretboard fantasia by the young prodigio.

“ I WROTE TO HIM AND SAID, ‘MATTEO, WHAT ARE YOU DOING? YOU’RE KILLING US!’”
—Al Di Meola

The comments sections for those same YouTube videos were soon flooded with superlatives about this amazing new guitar discovery. And it wasn’t long before the pros began weighing in on Matteo’s abundant talent, with no less than Al DiPassalacqua), Pat Martino (Pat Azzara) and Joe Diorio to Frank Zappa, Bucky and John Pizzarelli, Di Meola, Vai, Frank Gambale, Joe Satriani, John Frusciante, John Petrucci and Chris Impellitteri.

You’re reading a preview, subscribe to read more.

More from Guitar Player

Guitar Player4 min read
Mackie
THE ALL-IN-ONE busker box has become a subgenre in the live sound arena. Mackie makes a range of them, and the new ShowBox takes the concept to the next level. The idea is a bona fide Swiss Army knife that works as everything from a guitar amp to an
Guitar Player5 min read
Kustom Kulture
WHEN YOU CONSIDER all the shapes and configurations of electric guitars that have hit the market since Leo Fender introduced the first mass-production solidbody 74 years ago, it seems quite a feat when a maker launches a new design that looks origina
Guitar Player2 min read
Italian Dressing
OF THE MANY weird guitars from the 1960s, the Italians are my favorites. EKO, Vox, Crucianelli, Wandre and Gemeli… it’s hard to keep up. The Welson company, like its Italian neighbor EKO, produced guitars under many names and even made a few models f

Related Books & Audiobooks