‘’Dui Jip Ki,’’ (Korean for “to flip”) was an exploration of the multidirectional nature of Korean contemporary art, exhibiting various artists’ practices of turning established histories, traditional methods, and natural processes upside down and into something new. The Berlin iteration (it was shown concurrently at Esther Schipper’s Seoul gallery) featured works by eight artists exploring and representing highly singular approaches and perspectives.
“Alternative Origins,” the first of four conceptual groupings,
