As the decade-long love for the Korean monochrome movement known as Dansaekhwa begins to wane, the Museum of Modern and Contemporary Art, Korea (MMCA) and the Solomon R. Guggenheim Museum unveiled “Only the Young: Experimental Art in Korea, 1960s–1970s.” The show highlighted a less familiar period of postwar creative output that extended beyond the painted canvas. Jointly curated by the MMCA’s Kang Soojung and Kyung An of the Guggenheim, “Only the
