BBC Countryfile Magazine

Nicola Chester

Eleven at night and the lane is dark and quiet. There is just enough light in the sky to differentiate the outlines of trees, and my eyesight has adjusted enough to make out the paler, dusty, straw-lined edge of the road. I have my phone torch switched on, but only in case of cars.

Right on cue, a little light bobs round the corner of “the bad

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