IAN NATHAN WHITE LION
‘This is not a, and merit chapters; duds like barely get a paragraph. But Nathan rigorously distinguishes between ‘Clint’ the star and ‘Eastwood’ the artist as he considers the icon’s place in pop culture.
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IAN NATHAN WHITE LION
‘This is not a, and merit chapters; duds like barely get a paragraph. But Nathan rigorously distinguishes between ‘Clint’ the star and ‘Eastwood’ the artist as he considers the icon’s place in pop culture.
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Dreamers and Schemers: How an Improbable Bid for the 1932 Olympics Transformed Los Angeles from Dusty Outpost to Global Metropolis
byBarry Siegel