For many readers, Chris Lake will need little introduction. The Norwich-born DJ, producer and artist first achieved recognition in the mid-2000s with the single Changes featuring Laura V. After a rapid-fire assortment of increasingly impressive collaborations, his high-profile work with deadmau5 on the album 4x4=12 garnered Lake a Grammy nomination. From then on, Chris’s star rose meteorically, with record-busting remixes of tracks such as Jess Glynne’s Hold My Hand and Calvin Harris and Disciples’ How Deep Is Your Love reaping tens of millions of streams globally. All the while, Chris displayed a Midas touch when it came to writing modern house classics, such as the mighty Boneless (with Steve Aoki), Turn off the Lights and the mesmerising euphoria of last year’s In The Yuma.
We met the now LA-based Chris Lake in London, during a rare trip home. We’re happily bemused to find that this globe-straddling mega-star is himself giddy about the prospect of being interviewed by Computer Music. “When I first got into music, I was picking up Computer Music off the shelf every month. It really helped me learn and understand what was possible, and what was available for making music. I remember the magazine grew off the back of the possibilities of the first seeds of the DAW. It’s funny how I remember some of the old cover features and those artist interviews still stick in my head.”
It’s clear, then, that Chris Lake started out as, as he nostalgically reflects on a much simpler time. But down to business, and the first topic on our agenda is the mind-blowing Coachella set that he performed with long-time collaborator Fisher: “Ah, it was intense. There
