In the massive movie weekend of “Barbie” and “Oppenheimer,” there were many winners. Greta Gerwig, who made history for female directors. Christopher Nolan, who set a non-Batman career high. Movie theaters, more crowded than anytime post-pandemic. Lovers of unlikely double features. The color pink. Matchbox Twenty.
But one of the most important triumphs in the moviegoing monsoon of “Barbenheimer” was originality. Here are two movies that are neither sequels nor reboots pushing the box office to highs not seen in years. “Barbie” and “Oppenheimer” became a meme because of their worlds-apart differences but they’re each indelibly the work of those filmmakers.
“Barbie,” based on the Mattel doll, had some extremely
