SCREEN
Barbie on a collision course with the bomb
Page 55 →
t first glance, Congolese photographer Kiripi Katembo’s images look like playful sci-fi montages: shaky Kinshasa streetscapes in which giant rocks seem to be falling out of the sky, like a lo-fi apocalypse. On closer inspection there are no special effects: the images are actually reflections in puddles, turned upside down, each capturing a fleeting moment of street life in a shimmering, suitably surreal fashion that’s arguably closer to the sensory experience of being there. It’s a testament to ingenuity: Katembo, who tragically died of malaria aged 36 in 2015, had little access to professional photography equipment, so he found his own way of using the camera. There was also an element of necessity. Most Congolese people do not want to have their picture taken, he once explained, so he had to seek less obtrusive ways of documenting his community.
