The Critic Magazine

Excellent buildings elegantly explained

THE QUALITY OF BOOKS about architecture covers the full range from excellent to execrable. Recency of publication is not a reliable guide to greatness. Only two weeks ago, I picked up in a second-hand bookshop a luxurious sixpart series called Cathedrals, Abbeys, and Churches of England and Wales, by T.G. Bonney, published in 1892, for just £20. Professor Bonney’s work feels like the last word on the subject. So one must have a very good reason to write another book about architecture, and we all need an even better reason to read it.

Le Corbusier once said “the Styles are a, shares that sentiment, inasmuch as he believes we ought to evaluate buildings for what they do rather than the style in which they are built. Here he follows the venerable Nikolaus Pevsner’s (1976), referenced in the endnote, and does a very commendable job of introducing us (whether working architects or laypeople) to this approach. It is this that makes worth reading.

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
Romeo Coates “Between You And Me …”
GIVING US HIS MODERN-DAY Falstaff (suddenly “Shakespeare’s ultimate gangster”, apparently), McKellen unfashionably relies on a fat suit for the role. Though such an approach is now often frowned upon by the obese/obese-conscious, old Gandalf deems hi
The Critic Magazine4 min read
Michael Prodger on Art
SOMETIME AROUND 1909, THE Romanian sculptor Constantin Brâncuși was approached by “a lady from Paris, a princess” with a commission to carve her portrait. Brâncuși, a leading Modernist, had a “miserably low opinion” of traditional sculpture, even des
The Critic Magazine3 min read
Anne McElvoy on Theatre
AGATHA CHRISTIE HAD MODEST aspirations for The Mousetrap when her murder mystery opened in 1952. Her producer predicted a 14-month run but the great literary stiletto-wielder replied, “It won’t run that long. Eight months perhaps.” By 1957, it had be

Related