Good iPad software is characterized by clever operating concepts that know how to integrate the peculiarities of Multi-Touch and pen operation in a meaningful way. This can be seen, for example, on the way from the idea to the finished song in Logic Pro for iPad. Even when creating a first project, the iPad version of Logic proves itself with its adaptable user interface. The iPad version is not only a sequencer, but also an instrument: Software-based instruments can be played directly with an on-screen keyboard, drum pads or via a virtual fretboard. The developers are aware of the limitations of a tablet: Entire chords can sometimes be played with a single touch, instead of making an ass of yourself with crooked finger gymnastics on the screen.
Navigation in a project is also important. In addition to a loop-based view, Logic Pro also offers the classic horizontal timeline on the iPad in the style of multitrack tape recorders-the longer the song, the longer the timeline. Navigating even in larger projects is, however, quick andand adjust the zoom factor. This feels much more direct than operating via keyboard and mouse on the Mac (and once again makes you wish for a Mac with a touchscreen).
