D uring the height of the Cold War, in a world besieged by fear, the Murkoff Corporation finds its calling: kidnap test subjects, surgically implant night-vision goggles, and then let them loose inside a giant game of hide and seek. The prize is freedom, but the risk is either death… or insanity.
Canadian developer Red Barrels is no stranger to things that go bump in the night. 2013’s Outlast and its 2017 sequel Outlast II were all about blending the fear of the unseen with the fear of being seen by whatever was lurking in the darkness. In a way, the similarities to a childhood game of hide and seek are quite clear – the not knowing if you’d been rumbled as you tried to stay quiet and motionless, even though you could see your pursuer inching closer to your hiding place.
Wrapped up in a heavy storyline involving the criminally insane, murderous cultists and MKUltra mind control experiments gone awry (not that they could go any other way), the games offered something of a’s brand of survival/psychological horror that, while arguably reliant on many tropes of the genre, also made them some of the most intense games of their generation.
