eteran cinematographer Robert Yeoman has been a fellow traveller of Wes Anderson’s since the director’s auspicious 1996 debut feature, . He has since lent his redoubtable eye for colour, framing and texture to every one of Anderson’s live action features, and his eye-scorching work on presents new and exciting dimensions to their creative relationship. He is perhaps one of finest and most consumate modern cinematographers when it comes to drawing out the best results from celluloid film, and in Asteroid City he is allowed to flex his aesthetic muscles
