he gear grinding electronics that mesh with distorted guitars on Margaret Sohn's (aka Miss Grit) debut full-length album, (on Mute), gets one in the mindset of endless hours of high end studio time spent perfecting Sohn's cyborg-inspired fever dream. Sohn (who uses they/she pronouns) no doubt worked tirelessly writing and recording their debut, but in playing it back it doesn't sound like the
