For over 30 years, Jean-Baptiste Monge has been busily honing his craft and working with a selection of the most-renowned creative studios across the planet, all while managing to maintain his independence as both an author and an illustrator.
We caught up with him to learn more about his career, how he’s managed to balance his creativity and integrity throughout his varied works, and why he’s concerned about the dangers of AI-generated art.
Hi Jean-Baptiste! You’ve been active for over three decades. How did you get started, and how did you get to where you are now?
I’ve always felt a strong attraction to pictures and imaginary worlds, and therefore, by extension, a strong interest and curiosity for drawings, paintings, sculptures and writing.
I was born before home computers, games consoles and other crazy hightech gizmos, so my culture and learning process came from books. We did have a TV at home but no video recorder, so the limited access my brother, sister and I had connected us to national channels.
By chance, there were sometimes great movies for us to watch, or sci-fi shows and excellent cartoons. Rarest of all were the fantasy movies, like Willow or Legend.
Five of us lived in a tiny flat. I shared a bedroom with my brother. We didn’t have a table for leisure activities, the only table was the dining table that was used for homework. I couldn’t draw at home but I did practise in my exercise book at school, much to the despair of my teachers, who considered me a hopeless dreamer.
