MUSIC
The king of the steel pan
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‘This play has always fascinated and repulsed me and I don’t like it. I’ve never liked it.” It’s rare for an actor promoting their latest project to express revulsion. But nothing is simple for Tracy-Ann Oberman, playing Shylock in her own adaptation of Shakespeare’s The Merchant of Venice. How do Jewish creatives approach English literature’s most notorious antisemitic archetype? Indeed, why return to the source of so many bloodthirsty, moneygrabbing slurs?
Oberman first encountered the play aged 12. “It was taught in my school, very badly. In the playground afterwards everybody was running around, rubbing their hands, doing a ‘Jewish’ voice. It was cringe-making.” Nothing she saw as an adult reassured her. “I’ve seen productions where Shylock is mocked. I’ve seen versions where he’s a complete victim. I don’t know
