onumental statuary, illuminated manuscripts, ceramics, gold, silverware, and more from the permanent collection and on loan for the exhibition feature in . Organized by Charlotte Riou, the curator of the Musée des Augustins in Toulouse, and Béatrice de Chancel-Bardelot, head curator at the Musée de Cluny in Paris, the exhibition marked an important acknowledgment of the southern city’s medieval artistic production in the capital’s newly refurbished
