Another day, another gallery: the attacks on art in the name of climate action have become a headline-hogging obsession with a hideous escalating logic. The nastier the treatment a famous masterpiece gets, the bigger the media coverage.
Now, members of Letzte Generation Österreich (Last Generation Austria) have smeared “non-toxic fake oil” all over the glass covering of Gustav Klimt’s Death and Life, a colouristic vision of pink and gold intertwined human bodies menaced by
