After watching a good film I often find that my memory falls victim to an unrelenting force and I am unable to interface with my mind, now assailed by the audiovisual stimuli that has pleased it so for the 100 minutes just passed, in order to extract any kind of cohesive gleanings. It’s that experience of a mood, so intangible and too challenging to really put into words, that
Esmé Dee Hand-Halford of THE ORIELLES on The Night of the Hunted (aka La Nuit des Traquées) (1980, directed by Jean Rollin)
Nov 18, 2022
2 minutes
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