Guardian Weekly

Kanye West’s empire in ruins after antisemitic outbursts

In 2009, Kanye West was riding high. 808s & Heartbreak, his fourth studio album, proved a resounding critical and commercial triumph. A foray into clothing design had culminated in a Paris fashion week sneaker show with Louis Vuitton and a shoe line with Nike.

No longer was West the dorky producer turned rapper agitating to break out of Jay-Z’s shadow. He had become a true star. The only person who could stop Kanye was Kanye –

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