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“Biscuits,” the first North American survey of Iranian-American artist Tala Madani, was awfully inviting: depicted in stark caricature form, giant splayed legs reveal a petite anus glowing above dangling testicles, welcoming viewers as they descended from the central steps of the Geffen Contemporary at the Museum of Contemporary Art (MOCA).
(2022) stood out from the more than 125 works.