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GROWING UP WITH BOMBAY

unso-cialised, precocious 15-year-old at the heart of Jerry Pinto’s coming novel ing-of-age , nurses a secret ambition to Y write poetry. His evolution as a writer is charted throughout the novel, in the form of diary entries where he writes sophomoric, clever-by-half passages only to strike them out and offer shards of self-criticism. In one of these recurring passages, Pinto writes: “In a story he began, then abandoned after three pages when he was in the ninth standard, he had written about himself: ‘We are born alone and we die alone. In

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