3 THE GRAND BOUDOIR
t’s a comically garish setup, primed for vampiric gashing: cerulean walls; plush European decor; a grand piano; chequered floors’ and hefty ornamental chess pieces to boot. This torture chamber-cum-film set represents the opulent milieu of Park Chan-wook’s , a trim feature about a filmmaker and his wife and Takashi Miike’s circus twin phantasm , is the middle segment of , an East Asian horror anthology sequel to 2002’s .
